Dance and Drama in French Baroque Opera : A History
Rebecca (Cornell University, New York) Harris-Warrick
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The Requiem of Tomas Luis de Victoria (1603)
Owen (University of Oxford) Rees
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Early English Viols: Instruments, Makers and Music
Michael Fleming
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Music in the Seventeenth Century
Lorenzo Bianconi
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Monteverdi and his Contemporaries
Tim Carter
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Trombone : Its History and Music, 1697-1811
D. M. Guion
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Records of English Court Music : Volume VIII : 1485-1714
Andrew Ashbee
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Music and Musicians in the Escorial Liturgy under the Habsburgs, 1563-1700
Michael (Royalty Account) Noone
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Musical Culture and The Chitarraro Mattheo Morales in 17-century Malta
Anna Borg Cardona
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Collegium Vocale Gent : Philippe Herreweghe
Philippe Herreweghe
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Musicians' Mobilities and Music Migrations in Early Modern Europe : Biographical Patterns and Cultural Exchanges
Gesa zur Nieden
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Early Printed Music and Material Culture in Central and Western Europe
Andrea (University of Salzburg, Austria) Lindmayr-Brandl
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Anthology to accompany GATEWAYS TO UNDERSTANDING MUSIC
Samuel N. Dorf
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Anthology to accompany GATEWAYS TO UNDERSTANDING MUSIC
Samuel N. Dorf
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The Viola d’Amore : Its History and Development
Rachael (Edinburgh Napier University, UK) Durkin
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Knowledge Building in Early Modern English Music
Katie Bank
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Knowledge Building in Early Modern English Music
Katie Bank
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The Routledge Research Companion to Johann Sebastian Bach
Robin Leaver
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Baronial Patronage of Music in Early Modern Rome
Valerio Morucci
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Damnable Practises: Witches, Dangerous Women, and Music in Seventeenth-Century English Broadside Ballads
Sarah F. Williams
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John Wallis: Writings on Music
Benjamin Wardhaugh
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Johann Mattheson’s Pieces de clavecin and Das neu-eroffnete Orchestre : Mattheson’s Universal Style in Theory and Practice
Margaret Seares
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Teaching Music History with Cases : A Teacher's Guide
Sara Haefeli
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