Queer Opera
Andrew Sutherland
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Parlar cantando : The practice of reciting verses in Italy from 1300 to 1600
Elena Abramov van Rijk
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The Choice of Odysseus : Homeric Ethics in Renaissance Epic and Opera
Dr Sarah (Indiana University) Van der Laan
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From Modes to Keys in Early Modern Music Theory
Michael R. (Associate Professor, Associate Professor, Universit Dodds
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The Symphonic Repertoire, Volume V
B Hart
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The Creation of Beethoven's Nine Symphonies
Barry A.R. (Professor of Music) Cooper
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The Motet in the Late Middle Ages
Margaret (Emeritus Fellow, Emeritus Fellow, All Souls College, O Bent
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The Oxford Handbook of the Phenomenology of Music Cultures
Harris M. (Canada Research Chair in Ethnomusicology and Direct Berger
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The Oxford Handbook of the Global Stage Musical
Robert (Professor of Theatre, Professor of Theatre, Goldsmiths Gordon
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Latin America and the Transports of Opera : Fragments of a Transatlantic Discourse
Roberto Ignacio Diaz
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Rape at the Opera : Staging Sexual Violence
Margaret Cormier
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The Oxford Handbook of Jewish Music Studies
Tina (Executive Director, Executive Director, Repertoire Inte Fruhauf
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Shostakovich's Symphony No. 5
Marina (Professor of Music History, Professor of Music Frolova-Walker
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The Afterlife of Bach's Organ Works : Their Reception from the Nineteenth Century to the Present
Russell (Emeritus Professor of Music, Emeritus Professor of M Stinson
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Music in Medieval Rituals for the End of Life
Elaine (Editor, Editor, Corpus monodicum) Stratton Hild
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String Virtuosi in Eighteenth-Century Naples : Culture, Power, and Music Institutions
Guido (University of Texas, Austin) Olivieri
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Sound Pedagogy : Radical Care in Music
Colleen Renihan
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The Lied at the Crossroads of Performance and Musicology
Benjamin (Duquesne University, Pittsburgh) Binder
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Opera in the Viennese Home from Mozart to Rossini
Nancy (University of Auckland) November
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Seeing Opera Anew : A Cultural and Biological Perspective
Joseph Cone
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Women in Nineteenth-Century Czech Musical Culture : Apostles of a Brighter Future
Anja Bunzel
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Experiencing Organised Sounds : The Listening Experience Across Diverse Sound-Based Works
Leigh Landy
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