Listening as Spiritual Practice in Early Modern Italy
Andrew Dell'Antonio
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Reclaiming Late-Romantic Music : Singing Devils and Distant Sounds
Peter Franklin
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Arnold Schoenberg's A Survivor from Warsaw in Postwar Europe
Joy H. Calico
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Wagner, Schumann, and the Lessons of Beethoven's Ninth
Christopher Alan Reynolds
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Dreaming with Open Eyes : Opera, Aesthetics, and Perception in Arcadian Rome
Ayana O. Smith
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Zoltan Kodaly’s World of Music
Anna Dalos
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The Lyric Myth of Voice : Civilizing Song in Enlightenment Italy
Jessica Gabriel Peritz
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Onstage with Grieg : Interpreting His Piano Music
Einar Steen-Nokleberg
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A Performer's Guide to Renaissance Music, Second Edition
Jeffery Kite-Powell
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Music Education in the Middle Ages and the Renaissance
Susan Forscher Weiss
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Dialogue on Ancient and Modern Music
Vincenzo Galilei
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Five Operas and a Symphony : Word and Music in Russian Culture
Boris Gasparov
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Shostakovich's Preludes and Fugues : Contexts, Style, Performance
Mark Mazullo
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The Virtual Haydn : Paradox of a Twenty-First-Century Keyboardist
Tom Beghin
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Divas and Scholars - Performing Italian Opera
Philip Gossett
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Music in the Present Tense : Rossini's Italian Operas in Their Time
Emanuele Senici
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Music and Ultra-Modernism in France: A Fragile Consensus, 1913-1939
Barbara L. Kelly
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The Spectral Piano : From Liszt, Scriabin, and Debussy to the Digital Age
Marilyn (Dr, New York University) Nonken
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Michael Tippett’s Fifth String Quartet : A Study in Vision and Revision
Thomas Schuttenhelm
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Experiencing Tchaikovsky : A Listener's Companion
David Schroeder
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Experiencing Leonard Bernstein : A Listener's Companion
Kenneth LaFave
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Experiencing Schumann : A Listener's Companion
Donald Sanders
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Experiencing Beethoven : A Listener's Companion
Geoffrey Block
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The Cyril Scott Companion : Unity in Diversity
Desmond (Customer) Desmond Scott
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