Music and Ultra-Modernism in France: A Fragile Consensus, 1913-1939
Barbara L. Kelly
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The Angel's Cry : Beyond the Pleasure Principle in Opera
Michel Poizat
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Women Writing Opera : Creativity and Controversy in the Age of the French Revolution
Jacqueline Letzter
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Monteverdi's Last Operas: A Venetian Trilogy
Ellen Rosand
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Listening as Spiritual Practice in Early Modern Italy
Andrew Dell'Antonio
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Reclaiming Late-Romantic Music : Singing Devils and Distant Sounds
Peter Franklin
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Arnold Schoenberg's A Survivor from Warsaw in Postwar Europe
Joy H. Calico
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Wagner, Schumann, and the Lessons of Beethoven's Ninth
Christopher Alan Reynolds
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Dreaming with Open Eyes : Opera, Aesthetics, and Perception in Arcadian Rome
Ayana O. Smith
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Zoltan Kodaly’s World of Music
Anna Dalos
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The Lyric Myth of Voice : Civilizing Song in Enlightenment Italy
Jessica Gabriel Peritz
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Michael Tippett’s Fifth String Quartet : A Study in Vision and Revision
Thomas Schuttenhelm
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Experiencing Tchaikovsky : A Listener's Companion
David Schroeder
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Experiencing Leonard Bernstein : A Listener's Companion
Kenneth LaFave
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Experiencing Schumann : A Listener's Companion
Donald Sanders
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Experiencing Beethoven : A Listener's Companion
Geoffrey Block
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The Spectral Piano : From Liszt, Scriabin, and Debussy to the Digital Age
Marilyn (Dr, New York University) Nonken
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Gay Guerrilla : Julius Eastman and His Music
Renee (Customer) Levine-Packer
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The Cyril Scott Companion : Unity in Diversity
Desmond (Customer) Desmond Scott
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The Operas of Sergei Prokofiev
Christina (Royalty Account) Guillaumier
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Julian Anderson : Dialogues on Listening, Composing and Culture
Julian (Royalty Account) Anderson
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Emma and Claude Debussy : The Biography of a Relationship
Gillian Opstad
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Representing Russia's Orient : From Ethnography to Art Song
Adalyat (Lecturer, Lecturer, Schulich School of Music, McGil Issiyeva
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Journeys Through Galant Expositions
L. Poundie (Professor of Music, Professor of Music, Hunter C Burstein
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