The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)
Vincenzo Borghetti
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Composing for Silent Film
Jack Curtis Dubowsky
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Decolonising and Indigenising Music Education : First Peoples Leading Research and Practice
Te Oti Rakena
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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Perspectives on Conducting
Roisin Blunnie
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Lutes and Marginality in Pre-Modern China : Art History, Archaeology, and Music Iconography
Ingrid Maren Furniss
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Tradition, Community, and Nationhood in Richard Wagner’s 'Die Meistersinger von Nurnberg'
Christopher Kimbell
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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International Who's Who in Classical Music 2024
Europa Publications
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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Britten Experienced : Modernism, Musicology and Sentiment
Peter Franklin
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Bob Dylan on Film : The Intersection of Music and Visuals
Jonathan Hodgers
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Debussy in Context
Simon (Trinity College Dublin) Trezise
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Vaughan Williams in Context
Julian (West Chester University, Pennsylvania) Onderdonk
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Leonard Bernstein in Context
Elizabeth A. (Mount Allison University, Canada) Wells
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Wagner in Context
David (University of Cambridge) Trippett
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Suppressed Composers in the Netherlands : Forbidden Music in the Second World War
Carine Alders
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Beyond Exoticism : Western Music and the World
Timothy D. Taylor
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Liszt Recomposed : Exploring Intertextual Fluidity in Song
Nicolas Puyane
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Music and Modernity in Enlightenment Spain
Ana P Sanchez-Rojo
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