Curtain, Gong, Steam : Wagnerian Technologies of Nineteenth-Century Opera
Gundula Kreuzer
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Chalet Monet : Inside the Home of Dame Joan Sutherland and Richard Bonynge
Richard Bonynge
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Inventing the Opera House : Theater Architecture in Renaissance and Baroque Italy
Eugene J. (Williams College, Massachusetts) Johnson
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Omnis Temporalis : A Visual Long-Playing Record
Seth
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The Complete Annotated Gilbert & Sullivan : 20th Anniversary Edition
Ian (Reader in Church History & Practical Theology, Reader in Bradley
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Acting for Singers : Creating Believable Singing Characters
David F. (, Bay Area Summer Opera Theater Institute) Ostwald
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Said on Opera
Edward (c/o The Wylie Agency) Said
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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Carmen and the Staging of Spain : Recasting Bizet's Opera in the Belle Epoque
Michael (Lecturer in Music, Lecturer in Music, Univers Christoforidis
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Music Direction for the Stage : A View from the Podium
Joseph (Instructor in Musical Theater, Instructor in Musical T Church
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Music, Sexuality and the Enlightenment in Mozart's Figaro, Don Giovanni and Cosi fan tutte
Charles Ford
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Richard Wagner and the Jews
Milton E. Brener
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Aesthetics of Opera in the Ancien Regime, 1647-1785
Downing A. (University of Iowa) Thomas
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Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London
Cheryll Duncan
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Building a Career in Opera from School to Stage: Operapreneurship : CMS Emerging Fields in Music
James Harrington
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Victorian Vocalists
Kurt Ganzl
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Networking Operatic Italy
Francesca Vella
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Staging Voice
Michal Grover-Friedlander
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Musicality in Theatre : Music as Model, Method and Metaphor in Theatre-Making
David Roesner
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Treacherous Bonds and Laughing Fire: Politics and Religion in Wagner's Ring
Mark Berry
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Giacomo Meyerbeer and Music Drama in Nineteenth-Century Paris
Mark Everist
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The Operas of Rameau : Genesis, Staging, Reception
Graham Sadler
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