The Cambridge Companion to Music and Romanticism
Benedict (University of Edinburgh) Taylor
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The Jukebox Musical : An Interpretive History
Kevin Byrne
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Stravinsky in Context
Graham (City, University of London) Griffiths
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Mahler in Context
Charles (Pennsylvania State University) Youmans
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Twentieth-Century Music in the West : An Introduction
Tom (Goldsmiths, University of London) Perchard
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The Cambridge Companion to Operetta
Anastasia (University of Leeds) Belina
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Luc Ferrari : Complete Works
Brunhild Ferrari
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Revisiting the Historiography of Postwar Avant-Garde Music
Anne-Sylvie Barthel-Calvet
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Elliott Carter's Late Music
John Link
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Experiencing Organised Sounds : The Listening Experience Across Diverse Sound-Based Works
Leigh Landy
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Modes of Communication in Stravinsky’s Works : Sign and Expression
Per Dahl
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Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964-1985
Richard Louis Gillies
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Utopia, Innovation, Tradition : Bruno Maderna's Cosmos
Angela Ida De Benedictis
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Prokofiev's Piano Sonatas : A Guide for the Listener and the Performer
Boris Berman
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Finding Democracy in Music
Robert Adlington
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Popular Musicology and Identity : Essays in Honour of Stan Hawkins
Kai Arne Hansen
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New Music Theatre in Europe : Transformations between 1955-1975
Robert Adlington
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John Cage : A Research and Information Guide
Sara Haefeli
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Aaron Copland in Latin America : Music and Cultural Politics
Carol A. Hess
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Twentieth- and Twenty-First-Century Song Cycles : Analytical Pathways Toward Performance
Gordon Sly
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Thomas Ades: Asyla
Edward Venn
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Singers, Scores and Sounds : Making New Connections and Transforming Voices
Ellen (UNSW, Australia) Hooper
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Musical Form and Transformation : Four Analytic Essays
David Lewin
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Andrei Tarkovsky's Sounding Cinema : Music and Meaning from Solaris to The Sacrifice
Tobias Pontara
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