"Don Giovanni" Captured : Performance, Media, Myth
Richard Will
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Claude Debussy Piano Music 1888 - 1905
Claude Debussy
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The Cambridge Companion to Michael Tippett
Kenneth (Cardiff University) Gloag
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The Cambridge Companion to Women in Music since 1900
Laura Hamer
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The Cambridge Companion to Music and Romanticism
Benedict (University of Edinburgh) Taylor
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Analyzing Schubert
Suzannah (Harvard University, Massachusetts) Clark
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Brahms and His Poets : A Handbook
Natasha (Royalty Account) Loges
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Voices for Change in the Classical Music Profession : New Ideas for Tackling Inequalities and Exclusions
Anna (Lecturer in Education and Social Justice, Lecturer in Educ Bull
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Bach against Modernity
Michael (Daniel Underhill Professor Emeritus of Music, Danie Marissen
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Musical Meaning : Toward a Critical History
Lawrence Kramer
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Audible Infrastructures
Kyle (Associate Professor of Musicology, Associate Professor o Devine
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Dido and Aeneas
Henry Purcell
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The Jukebox Musical : An Interpretive History
Kevin Byrne
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Richard D’Oyly Carte
Paul Seeley
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The Musician as Entrepreneur, 1700-1914 : Managers, Charlatans, and Idealists
William E. Weber
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Music's Monisms : Disarticulating Modernism
Daniel Albright
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The Haydn Economy : Music, Aesthetics, and Commerce in the Late Eighteenth Century
Nicholas Mathew
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Picture a day like this (First Edition Vocal Score)
George Benjamin
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The Guitar in Tudor England : A Social and Musical History
Christopher (Sidney Sussex College, Cambridge) Page
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Stravinsky in Context
Graham (City, University of London) Griffiths
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Mahler in Context
Charles (Pennsylvania State University) Youmans
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The Cambridge Companion to Hildegard of Bingen
Jennifer (Dalhousie University, Nova Scotia) Bain
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Twentieth-Century Music in the West : An Introduction
Tom (Goldsmiths, University of London) Perchard
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The Cultural Life of the Early Polyphonic Mass : Medieval Context to Modern Revival
Andrew (Rutgers University, New Jersey) Kirkman
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