The Cambridge Companion to Hildegard of Bingen
Jennifer (Dalhousie University, Nova Scotia) Bain
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The Cultural Life of the Early Polyphonic Mass : Medieval Context to Modern Revival
Andrew (Rutgers University, New Jersey) Kirkman
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The Guitar in Tudor England : A Social and Musical History
Christopher (Sidney Sussex College, Cambridge) Page
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Song, Landscape, and Identity in Medieval Northern France : Toward an Environmental History
Jennifer (Presidential Professor and Associate Professor o Saltzstein
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Monteverdi and the Marvellous : Poetry, Sound, and Representation
Roseen (Duke University, North Carolina) Giles
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Studies on Authorship in Historical Keyboard Music
Andrew Woolley
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Authorship and Identity in Late Thirteenth-Century Motets
Catherine A. Bradley
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The Viola d’Amore : Its History and Development
Rachael (Edinburgh Napier University, UK) Durkin
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Thomas Tallis
John Harley
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Teaching Music History with Cases : A Teacher's Guide
Sara Haefeli
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Music Theory in Late Medieval Avignon : Magister Johannes Pipardi
Karen M. Cook
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The Life of Messiaen
Christopher (Assistant Course Director) Dingle
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The Voice of Virtue : Moral Song and the Practice of French Stoicism, 1574-1652
Melinda (Rumsey Family Assistant Professor in the Humanities a Latour
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Tallis and Byrd’s Cantiones sacrae (1575) : A Sacred Argument
Jeremy L. (Customer) Smith
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The New Reynard : Three Satires: Renart le Bestourne, Le Couronnement de Renart, Renart le Nouvel
Nigel Bryant
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John Taverner : His Life and Music
Hugh Benham
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Studies in the Music of Tomas Luis de Victoria
Eugene Casjen Cramer
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Women in Convent Spaces and the Music Networks of Early Modern Barcelona
Ascension Mazuela-Anguita
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The Malmariee in the Thirteenth-Century Motet
Dolores Pesce
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Guarini's 'Il pastor fido' and the Madrigal : Voicing the Pastoral in Late Renaissance Italy
Seth Coluzzi
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Staging 'Euridice' : Theatre, Sets, and Music in Late Renaissance Florence
Tim (University of North Carolina, Chapel Hill) Carter
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Singing to the Lyre in Renaissance Italy : Memory, Performance, and Oral Poetry
Blake (Dickinson College, Pennsylvania) Wilson
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Understanding the Old Hispanic Office : Texts, Melodies, and Devotion in Early Medieval Iberia
Emma (University of Bristol) Hornby
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