Studies on Authorship in Historical Keyboard Music
Andrew Woolley
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Authorship and Identity in Late Thirteenth-Century Motets
Catherine A. Bradley
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None Technology and Performance during the Renaissance : The Musical World of Leonardo da Vinci
Plinio Innocenzi
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Singing Games in Early Modern Italy : The Music Books of Orazio Vecchi
Paul Schleuse
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The Viola d’Amore : Its History and Development
Rachael (Edinburgh Napier University, UK) Durkin
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Thomas Tallis
John Harley
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Teaching Music History with Cases : A Teacher's Guide
Sara Haefeli
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Music Theory in Late Medieval Avignon : Magister Johannes Pipardi
Karen M. Cook
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Music, Piety, and Propaganda : The Soundscapes of Counter-Reformation Bavaria
Alexander J. Fisher
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Holy Treasure and Sacred Song : Relic Cults and their Liturgies in Medieval Tuscany
Benjamin Brand
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Materialities : Books, Readers, and the Chanson in Sixteenth-Century Europe
Kate van Orden
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With Passionate Voice : Re-Creative Singing in Sixteenth-Century England and Italy
Robert Toft
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With Passionate Voice : Re-Creative Singing in Sixteenth-Century England and Italy
Robert Toft
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Music in Renaissance Ferrara 1400-1505 : The Creation of a Musical Center in the Fifteenth Century
Lewis Lockwood
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Music Printing in Renaissance Venice : The Scotto Press (1539-1572)
Jane A. Bernstein
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The Flower of Paradise : Marian Devotion and Secular Song in Medieval and Renaissance Music
David J. Rothenberg
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The Sense of Sound : Musical Meaning in France, 1260-1330
Emma Dillon
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The Critical Nexus : Tone-System, Mode, and Notation in Early Medieval Music
Charles M. Atkinson
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The Art of Grafted Song : Citation and Allusion in the Age of Machaut
Yolanda Plumley
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