Music and Performance in the Book of Hours
Michael Alan Anderson
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Early English Composers and the Credo : Emphasis as Interpretation in Sixteenth-Century Music
Wendy J Porter
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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Material Cultures of Music Notation : New Perspectives on Musical Inscription
Floris (Utrecht University, Netherlands) Schuiling
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The Sound of Byzantium – The Byzantine Musical Instruments
Antonios Botonakis
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Song, Landscape, and Identity in Medieval Northern France : Toward an Environmental History
Jennifer (Presidential Professor and Associate Professor o Saltzstein
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One Hundred Latin Hymns : Ambrose to Aquinas
Peter G. Walsh
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Anthology of Medieval Music
Richard H. Hoppin
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Composers at Work : The Craft of Musical Composition 1450-1600
Jessie Ann (Associate Professor of Music, Associate Professor o Owens
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Songs of the Women Trouveres
Eglal Doss-Quinby
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Singing Simpkin and other Bawdy Jigs : Musical Comedy on the Shakespearean Stage: Scripts, Music and Context
Roger Clegg
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Medieval Instrumental Dances
Timothy J. McGee
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The Viola da Gamba
Bettina Hoffmann
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The Gesualdo Hex : Music, Myth, and Memory
Glenn Watkins
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Music and Society in Early Modern England
Christopher (Queen's University Belfast) Marsh
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A Performer's Guide to Medieval Music
Ross W. Duffin
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Late Medieval Liturgies Enacted : The Experience of Worship in Cathedral and Parish Church
Sally Harper
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Strunk's Source Readings in Music History : The Renaissance
Leo Treitler
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Beating Time & Measuring Music in the Early Modern Era
Roger Mathew (Assistant Professor of Music, Assistant Professor Grant
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Book on Music
Florentius de Faxolis
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Reading Renaissance Music Theory : Hearing with the Eyes
Cristle Collins (Dean for Academic Affairs, University of Pennsy Judd
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Plague and Music in the Renaissance
Remi (Loyola University Maryland) Chiu
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The Cambridge History of Fifteenth-Century Music
Anna Maria (University of California, Davis) Busse Berger
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