Encore : My journey back to centre stage
Russell Watson
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A New Philosophy of Opera
Yuval Sharon
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Do I Bark Like a Dog? : How an Italian Family History Shaped a Boy in London
Michael Volpe
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The Operetta Empire : Music Theater in Early Twentieth-Century Vienna
Micaela Baranello
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Said on Opera
Edward (c/o The Wylie Agency) Said
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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Bill Viola : Love/Death - The Tristan Project
Peter Sellars
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Callas: Images of a Legend
Attila Csampai
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Wagner's Theatre : In Search of a Legacy
Patrick Carnegy
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Screening the Operatic Stage : Television and Beyond
Christopher Morris
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Seeing Through : A Chronicle of Sex, Drugs, and Opera
Ricky Ian Gordon
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The Dance and Opera Stage Manager's Toolkit : Protocols, Practical Considerations, and Templates
Susan Fenty Studham
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Audience Experience and Contemporary Classical Music : Negotiating the Experimental and the Accessible in a High Art Subculture
Gina Emerson
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The Great Operas of Mozart
Nathan Broder
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Contemporary Opera in Flux
Yayoi U Everett
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The Cambridge Stravinsky Encyclopedia
Edward (University of Aberdeen) Campbell
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The Year that Made the Musical : 1924 and the Glamour of Musical Theatre
William A. (University of Missouri, Kansas City) Everett
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Opera, a History of the Impossible Genre
Jeffrey Langford
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Essays on Opera, 1750-1800
John A. Rice
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Steven Huebner
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Margaret Notley
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Charles Dill
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Michael C. Tusa
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Beth L. Glixon
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