The Lyric Myth of Voice : Civilizing Song in Enlightenment Italy
Jessica Gabriel Peritz
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Otello (Othello)
Giuseppe Verdi
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Arabella
Richard Strauss
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Salome/Elektra
Richard Strauss
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Tannhauser
Richard Wagner
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Charles Munch
D. Kern (Distinguished Professor of Music, Distinguished Prof Holoman
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Bel Canto : A Performer's Guide
Robert (Professor, Professor, University of Western Ontario) Toft
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The Marriage of Figaro
Pierre Augustin de Beaumarchais
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Puccini : His International Art
Michele Girardi
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Divas and Scholars - Performing Italian Opera
Philip Gossett
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The Angel's Cry : Beyond the Pleasure Principle in Opera
Michel Poizat
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The King’s Theatre Collection : Ballet and Italian Opera in London, 1706–1883, Revised and Expanded Edition
Morris S. Levy
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Richard Wagner : A Research and Information Guide
Michael (Virginia Tech University, USA) Saffle
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The Shuberts and Their Passing Shows : The Untold Tale of Ziegfeld's Rivals
Jonas (Freelance Writer, Freelance Writer) Westover
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Henry Purcell's Dido and Aeneas
Ellen (Class of 1949 Professor Emeritus, Class of 1949 Profess Harris
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Wagner's Parsifal
William (Professor of Musicology, Professor of Musicology, Kinderman
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Tomorrow shall be my dancing day
Bob Chilcott
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Recognition in Mozart's Operas
Jessica (Assistant Professor of Music, Assistant Professor of Waldoff
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The Tragic and the Ecstatic : The Musical Revolution of Wagner's Tristan und Isolde
Eric (Professor, Professor, Brandeis University) Chafe
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Tin Pan Opera : Operatic Novelty Songs in the Ragtime Era
Larry (Assistant Professor of Music, Assistant Professor of Hamberlin
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The Italian Traditions and Puccini : Compositional Theory and Practice in Nineteenth-Century Opera
Nicholas Baragwanath
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Ezra Pound's Radio Operas : The BBC Experiments, 1931-1933
Margaret Fisher
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Opera in America : A Cultural History
John Dizikes
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Felice Giardini and Professional Music Culture in Mid-Eighteenth-Century London
Cheryll Duncan
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