Reading Critics Reading : Opera and Ballet Criticism in France from the Revolution to 1848
Roger (, Professor of Music, University of Cambridge) Parker
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Italian Opera in Late Eighteenth-Century London: Volume 2: The Pantheon Opera and its Aftermath 1789-1795
Judith (Distinguished Professor, Ph.D. Program in Theatre, Di Milhous
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Verdi in Performance
Alison (, Editor of The Oxford Companion to Music) Latham
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The Rhetorical Feminine : Gender and Orient on the German Stage, 1647-1742
Sarah (Lecturer in German, Lecturer in German, University of E Colvin
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Handel's Israelite Oratorio Libretti : Sacred Drama and Biblical Exegesis
Deborah W. (Research Fellow in Bible and Music, Oxford Centre f Rooke
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The Quest for the Gesamtkunstwerk and Richard Wagner
Hilda (Emeritus Professor of German, Emeritus Professor Meldrum Brown
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The Modern Castrato : Gaetano Guadagni and the Coming of a New Operatic Age
Patricia (Visiting Research Fellow, Visiting Research Fellow, Howard
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Sounding American : Hollywood, Opera, and Jazz
Jennifer (Assistant Professor of Media Studies, Assistant Pro Fleeger
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Opera for the People : English-Language Opera and Women Managers in Late 19th-Century America
Katherine (David N. & Margaret C. Bottoms Professor of Music, Preston
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The Complete Annotated Gilbert & Sullivan : 20th Anniversary Edition
Ian Bradley
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Beauty or Beast? : The Woman Warrior in the German Imagination from the Renaissance to the Present
Helen (, Professor of German Literature, Oxford Univ Watanabe-O'Kelly
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Ancient Drama in Music for the Modern Stage
Peter (, Lecturer in Classics, Oxford University and Fellow of Brown
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Ancient Drama in Music for the Modern Stage
Peter (, Lecturer in Classics, Oxford University and Fellow of Brown
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Modernist Mysteries: Persephone
Tamara (Associate Professor of Musicology, Associate Professor Levitz
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Rethinking Debussy
Elliott (Prof. of Musicology, Prof. of Musicology, Univers Antokoletz
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Staging the French Revolution : Cultural Politics and the Paris Opera, 1789-1794
Mark (Senior Lecturer in French, Senior Lecturer in French, Un Darlow
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Funeral Games in Honor of Arthur Vincent Lourie
Klara (Joseph E. and Grace W. Valentine Visiting Assistant Pro Moricz
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Bel Canto : A Performer's Guide
Robert (Professor, Professor, University of Western Ontario) Toft
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Whose Spain? : Negotiating Spanish Music in Paris, 1908-1929
Samuel (Research Fellow, Research Fellow, University of Birming Llano
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The Operatic Archive : American Opera as History
Colleen (Queen’s University at Kingston, Canada) Renihan
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Claudio Monteverdi’s Venetian Operas : Sources, Performance, Interpretation
Ellen Rosand
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Performing Arts in Changing Societies : Opera, Dance, and Theatre in European and Nordic Countries around 1800
Randi Margrete Selvik
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The Original Portrayal of Mozart’s Don Giovanni
Magnus Tessing Schneider
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The Consolations of History: Themes of Progress and Potential in Richard Wagner’s Gotterdammerung
Alexander Shapiro
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