Perspectives on Contemporary Music Theory : Essays in Honor of Kevin Korsyn
Bryan Parkhurst
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Music and Identity in Twenty-First-Century Monasticism
Amanda J. Haste
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Experiencing Organised Sounds : The Listening Experience Across Diverse Sound-Based Works
Leigh Landy
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Orchestra Management in Practice
Salvino A. Salvaggio
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Mozart's Operas and National Politics : Canon Formation in Prague from 1791 to the Present
Martin (University of Kansas) Nedbal
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String Virtuosi in Eighteenth-Century Naples : Culture, Power, and Music Institutions
Guido (University of Texas, Austin) Olivieri
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Elisabeth Lutyens and Edward Clark : The Orchestration of Progress in British Twentieth-Century Music
Annika (Royal Northern College of Music, Manchester) Forkert
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Monteverdi and the Marvellous : Poetry, Sound, and Representation
Roseen (Duke University, North Carolina) Giles
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Avant-Garde on Record : Musical Responses to Stereos
Jonathan (Universite de Montreal) Goldman
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Gerard Grisey and Spectral Music : Composition in the Information Age
Liam (BIMM University) Cagney
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Music and the Making of Medieval Venice
Jamie L. (Princeton University, New Jersey) Reuland
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Opening Doors: Orchestras, Opera Companies and Community Engagement
Emily Dollman
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Studies on Authorship in Historical Keyboard Music
Andrew Woolley
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Genre Beyond Borders : Reassessing Operetta
Bruno Bower
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Seeing Opera Anew : A Cultural and Biological Perspective
Joseph Cone
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The Sound of the English Picturesque : Georgian Vocal Music, Haydn, and Landscape Aesthetics
Stephen Groves
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The Many Worlds of David Amram : Renaissance Man of American Music
Dean Birkenkamp
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Historical Performance and New Music : Aesthetics and Practices
Rebecca Cypess
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Contemporary Musical Virtuosities
Louise (Monash University, Australia) Devenish
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The Politics and Power of Bob Dylan’s Live Performances : Play a Song for Me
Erin C. Callahan
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Linguistics for Singers : An Introduction
Gregory (University of Auckland, New Zealand) Camp
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Margaret Bonds: The Montgomery Variations and Du Bois Credo
John Michael (Southwestern University, Texas) Cooper
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Robert Schumann: Piano Concerto
Julian (University of Durham) Horton
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Berlioz: Symphonie Fantastique
Julian (University of Leeds) Rushton
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