Bach's Feet : The Organ Pedals in European Culture
David (Cornell University, New York) Yearsley
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The Cambridge History of Nineteenth-Century Music
Jim (Royal Holloway, University of London) Samson
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Engaging Bach : The Keyboard Legacy from Marpurg to Mendelssohn
Matthew (University of Houston) Dirst
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Bruckner's Symphonies : Analysis, Reception and Cultural Politics
Julian (University College Dublin) Horton
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Schumann's Late Style
Laura (University of Manchester) Tunbridge
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While Spring and Summer Sang: Thomas Beecham and the Music of Frederick Delius
Lyndon Jenkins
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Richard Strauss in Context
Morten Kristiansen
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The Cambridge History of Nineteenth-Century Music
Jim (Royal Holloway, University of London) Samson
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Wagner, Schumann, and the Lessons of Beethoven's Ninth
Christopher Alan Reynolds
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Towards a Harmonic Grammar of Grieg's Late Piano Music : Nature and Nationalism
Benedict Taylor
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Brahms in the Priesthood of Art : Gender and Art Religion in the Nineteenth-Century German Musical Imagination
Laurie (Associate Professor of Music History and Literature, McManus
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Brahms's Violin Sonatas : Style, Structure, Performance
Joel (Professor Emeritus, Professor Emeritus, CUNY Graduate Ce Lester
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The Melody of Time : Music and Temporality in the Romantic Era
Benedict (Chancellor's Fellow, Chancellor's Fellow, Reid Schoo Taylor
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Music as Discourse : Semiotic Adventures in Romantic Music
Kofi (Professor of Music, Professor of Music, Princeton Univers Agawu
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In the Process of Becoming : Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music
Janet (Professor of Music, Professor of Music, Tufts Univ Schmalfeldt
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Rethinking Mendelssohn
Benedict (Chancellor's Fellow, Chancellor's Fellow, The Univer Taylor
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The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century
Paul (Associate Professor of Musicology, Associate Professor of Watt
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Lateness and Brahms : Music and Culture in the Twilight of Viennese Liberalism
Margaret (Assistant Professor of Music History, Assistant Prof Notley
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Debussy's Legacy and the Construction of Reputation
Marianne (Associate Professor of Music Theory, Associate Pro Wheeldon
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Musical Genre and Romantic Ideology : Belonging in the Age of Originality
Matthew (Associate Professor of Music, Associate Professor of Gelbart
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Claude Debussy's Clair de Lune
Gurminder Kaur (Associate Professor of Music, Associate Profes Bhogal
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Debussy's Critics : Sound, Affect, and the Experience of Modernism
Alexandra (Assistant Professor of Musicology, Assistant Profe Kieffer
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Schoenberg's Program Notes and Musical Analyses
J.Daniel (Associate Professor of Music Theory, Associate Prof Jenkins
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Hearing the Crimean War : Wartime Sound and the Unmaking of Sense
Gavin (Leverhulme Early Career Research Fellow, Leverhulme E Williams
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