Orchestra Management in Practice
Salvino A. Salvaggio
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The Cambridge Companion to The Magic Flute
Jessica (College of the Holy Cross, Massachusetts) Waldoff
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Messiaen in Context
Robert (Royal Academy of Music and University of West London) Sholl
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Leonard Bernstein in Context
Elizabeth A. (Mount Allison University, Canada) Wells
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Wagner in Context
David (University of Cambridge) Trippett
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The Cambridge Companion to Amy Beach
E. Douglas (Elizabethtown College, Pennsylvania) Bomberger
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Opera and Drama
Richard Wagner
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Margaret Bonds: The Montgomery Variations and Du Bois Credo
John Michael (Southwestern University, Texas) Cooper
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Robert Schumann: Piano Concerto
Julian (University of Durham) Horton
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Berlioz: Symphonie Fantastique
Julian (University of Leeds) Rushton
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Hensel: String Quartet in E flat
Benedict (University of Edinburgh) Taylor
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Schoenberg: ‘Night Music' – Verklarte Nacht and Erwartung
Arnold (Emeritus, King's College London) Whittall
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Music and Musicians in Late Mughal India : Histories of the Ephemeral, 1748–1858
Katherine Butler (King's College London) Schofield
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The Lied at the Crossroads of Performance and Musicology
Benjamin (Duquesne University, Pittsburgh) Binder
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Opera, Tragedy, and Neighbouring Forms from Corneille to Calzabigi
Blair Hoxby
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Fantasies of Music in Nostalgic Medievalism
Helen Dell
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Historical Dictionary of Romantic Music
John Michael Cooper
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Eight Symphonic Masterworks of the Twentieth Century : A Study Guide for Conductors
Leonard Slatkin
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Imagining Musical Pasts : The Queer Literary Musicology of Vernon Lee, Rosa Newmarch, and Edward Prime-Stevenson
Kristin M. Franseen
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Verdi and the Art of Italian Opera : Conventions and Creativity
Steven (Customer) Huebner
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Music Glocalization and the Composer : The Case of Franz Xaver Scharwenka (1850-1924)
Mikolaj Rykowski
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The Songs of Jean Sibelius : Poetry, Music, Performance
Gustav Djupsjobacka
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The Creation of Beethoven's Nine Symphonies
Barry A.R. (Professor of Music) Cooper
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Music, Morality and Social Reform in Nineteenth-Century Britain
Paul Watt
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