Music and Cosmopolitanism : Rio de Janeiro at the Turn of the 20th Century
Cristina (Professor Emerita, Professor Emerita, Towson Univer Magaldi
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Growing Your Choral Program : A Practical Guide for New Directors
Nicolas Alberto Dosman
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Growing Your Choral Program : A Practical Guide for New Directors
Nicolas Alberto Dosman
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A Cappella Arranging 2.0 : The Next Level
Deke Sharon
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A Cappella Arranging 2.0 : The Next Level
Deke Sharon
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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English and German Diction for Singers : A Comparative Approach
Amanda Johnston
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Tales from the Symphony : Perspectives from African American Musicians
Robert Lee Watt
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Tales from the Symphony : Perspectives from African American Musicians
Robert Lee Watt
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Bruno Maderna : His Life and Music
Rossana Dalmonte
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Experiencing Mahler : A Listener's Companion
Arved Ashby
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Opera for Everyone : The Industry's Experiments with American Opera in the Digital Age
Megan Steigerwald Ille
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Suppressed Composers in the Netherlands : Forbidden Music in the Second World War
Carine Alders
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Recording Orchestra and Other Classical Music Ensembles
Richard King
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The Year that Made the Musical : 1924 and the Glamour of Musical Theatre
William A. (University of Missouri, Kansas City) Everett
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Musical Modernism in Global Perspective : Entangled Histories on a Shared Planet
Bjorn (University of Glasgow) Heile
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The Media of Secular Music in the Medieval and Early Modern Period (1100–1650)
Vincenzo Borghetti
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Composing for Silent Film
Jack Curtis Dubowsky
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Valuing Nineteenth-Century Italian Opera Fantasias for Woodwind Instruments : Trash Music
Rachel N. Becker
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International Who's Who in Classical Music 2024
Europa Publications
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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