Brahms's Song Collections
Inge (Victoria University of Wellington) van Rij
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The Great Transformation of Musical Taste : Concert Programming from Haydn to Brahms
William (California State University, Long Beach) Weber
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Fashions and Legacies of Nineteenth-Century Italian Opera
Roberta Montemorra (Professor, University of Iowa) Marvin
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Brahms in the Priesthood of Art : Gender and Art Religion in the Nineteenth-Century German Musical Imagination
Laurie (Associate Professor of Music History and Literature, McManus
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Rethinking Mendelssohn
Benedict (Chancellor's Fellow, Chancellor's Fellow, The Univer Taylor
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The Oxford Handbook of Music and Intellectual Culture in the Nineteenth Century
Paul (Associate Professor of Musicology, Associate Professor of Watt
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Musical Genre and Romantic Ideology : Belonging in the Age of Originality
Matthew (Associate Professor of Music, Associate Professor of Gelbart
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Claude Debussy's Clair de Lune
Gurminder Kaur (Associate Professor of Music, Associate Profes Bhogal
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Debussy's Critics : Sound, Affect, and the Experience of Modernism
Alexandra (Assistant Professor of Musicology, Assistant Profe Kieffer
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The Songs of Fanny Hensel
Stephen (Professor of Music Theory and Musicianship, Professo Rodgers
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The Age of Beethoven 1790-1830
Gerald Abraham
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Romanticism (1830-1890)
Gerald Abraham
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Music at Oxford in the Eighteenth and Nineteenth Centuries
Susan (, Reader and University lecturer on the Faculty of Wollenberg
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In the Process of Becoming : Analytical and Philosophical Perspectives on Form in Early Nineteenth-Century Music
Janet (Associate Professor, Associate Professor, Tufts Un Schmalfeldt
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Variations and Variation Technique in the Music of Chopin
Zofia Chechlinska
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French Music in Britain 1830–1914
Paul Rodmell
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The Consolations of History: Themes of Progress and Potential in Richard Wagner’s Gotterdammerung
Alexander Shapiro
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Edvard Grieg and His Songs
Sandra Jarrett
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Singing the English : Britain in the French Musical Lowbrow, 1870–1904
Hannah L. Scott
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Curating Opera : Reinventing the Past Through Museums of Opera and Art
Stephen Mould
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Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane Davidson
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Contextualizing Melodrama in the Czech Lands : In Concert and on Stage
Judith Mabary
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The Origins and Ascendancy of the Concert Mass
Stephanie Rocke
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Vital Performance : Historically Informed Romantic Performance in Cultural Context
Andrew Snedden
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