Sources and Style in Moore’s Irish Melodies
Una Hunt
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Arthur Sullivan : A Musical Reappraisal
Benedict Taylor
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Contextualizing Melodrama in the Czech Lands : In Concert and on Stage
Judith Mabary
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The Origins and Ascendancy of the Concert Mass
Stephanie Rocke
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The Politics of Musical Identity : Selected Essays
Annegret Fauser
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Muzio Clementi and British Musical Culture : Sources, Performance Practice and Style
Luca Sala
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Sound, Sin, and Conversion in Victorian England
Julia Grella O'Connell
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The Music Profession in Britain, 1780-1920 : New Perspectives on Status and Identity
Rosemary Golding
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The Musical Life of Nineteenth-Century Belfast
Roy Johnston
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The Mystery of Chopin's Preludes
Anatole Leikin
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French Music in Britain 1830–1914
Paul Rodmell
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Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane Davidson
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Variations and Variation Technique in the Music of Chopin
Zofia Chechlinska
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Opera in Paris from the Empire to the Commune
Mark Everist
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The Politics of Verdi's Cantica
Roberta Montemorra Marvin
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Teaching Music History with Cases : A Teacher's Guide
Sara Haefeli
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Curating Opera : Reinventing the Past Through Museums of Opera and Art
Stephen Mould
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Hearing Form : Musical Analysis With and Without the Score
Matthew (Texas Tech University, USA) Santa
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Anthology for Hearing Form : Musical Analysis With and Without the Score
Matthew (Texas Tech University, USA) Santa
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Paul Dukas: Legacies of a French Musician
Helen Julia Minors
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Victorian Vocalists
Kurt Ganzl
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Michael Costa: England's First Conductor : The Revolution in Musical Performance in England, 1830-1880
John Goulden
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Towards a Harmonic Grammar of Grieg's Late Piano Music : Nature and Nationalism
Benedict Taylor
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The Genesis and Development of an English Organ Sonata
Iain Quinn
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