Italian Opera Houses and Festivals
Karyl Charna Lynn
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Experiencing Verdi : A Listener's Companion
Donald Sanders
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Understanding the Women of Mozart's Operas
Kristi Brown-Montesano
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Aesthetic Technologies of Modernity, Subjectivity, and Nature : Opera, Orchestra, Phonograph, Film
Richard Leppert
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Fruits of the Cross : Passiontide Music Theater in Habsburg Vienna
Robert L. Kendrick
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The Cambridge Mozart Encyclopedia
Cliff (King's College London) Eisen
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Dramma per Musica : Italian Opera Seria of the Eighteenth Century
Reinhard Strohm
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Beyond Britten: The Composer and the Community
Peter (Royalty Account) Wiegold
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Bizet's Carmen Uncovered
Richard Langham Smith
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Charles Munch
D. Kern (Distinguished Professor of Music, Distinguished Prof Holoman
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Bel Canto : A Performer's Guide
Robert (Professor, Professor, University of Western Ontario) Toft
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The King’s Theatre Collection : Ballet and Italian Opera in London, 1706–1883, Revised and Expanded Edition
Morris S. Levy
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The Angel's Cry : Beyond the Pleasure Principle in Opera
Michel Poizat
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Henry Purcell's Dido and Aeneas
Ellen T. (Chairman of the Music Department and Professor of Mu Harris
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Camille Saint-Saens : On Music and Musicians
Roger Nichols
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The Metropolitan Opera : Stories of the Great Operas
John W. Freeman
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Women Writing Opera : Creativity and Controversy in the Age of the French Revolution
Jacqueline Letzter
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Monteverdi's Last Operas: A Venetian Trilogy
Ellen Rosand
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Opera in Seventeenth-Century Venice : The Creation of a Genre
Ellen Rosand
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Wagner, Schumann, and the Lessons of Beethoven's Ninth
Christopher Alan Reynolds
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Dreaming with Open Eyes : Opera, Aesthetics, and Perception in Arcadian Rome
Ayana O. Smith
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The Lyric Myth of Voice : Civilizing Song in Enlightenment Italy
Jessica Gabriel Peritz
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L`italiano con l`opera : Lingua, cultura e conversazione
Daniela Noe
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Five Operas and a Symphony : Word and Music in Russian Culture
Boris Gasparov
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