'Our awin Scottis use' : Music in the Scottish Church up to 1603
Isobel Woods Preece
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Bernarr Rainbow
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Add to BasketA Briefe Introduction to the Skill of Song, c. 1587
William Bathe
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Add to BasketThe Direct Road to Music : (Le Droict Chemin de Musique, 1550)
Loys Bourgeois
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Clifford Davidson
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Cyrilla Barr
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Add to BasketEssays on Medieval Music in Honor of David G. Hughes
Graeme Boone
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Add to BasketHildegard of Bingen and Musical Reception : The Modern Revival of a Medieval Composer
Jennifer (Dalhousie University, Nova Scotia) Bain
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Add to BasketMusic and Riddle Culture in the Renaissance
Katelijne (Universitat Regensburg, Germany) Schiltz
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Add to BasketThe Making of Liturgy in the Ottonian Church : Books, Music and Ritual in Mainz, 950-1050
Henry (Yale University, Connecticut) Parkes
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Michael Alan Anderson
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Add to BasketMusic and the Myth of Arcadia in Renaissance Italy
Giuseppe (Associate Professor, Columbia University, New York) Gerbino
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Add to BasketPolyphony in Medieval Paris : The Art of Composing with Plainchant
Catherine A. (Universitetet i Oslo) Bradley
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Add to BasketMusic and the Exotic from the Renaissance to Mozart
Ralph P. Locke
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John Harley
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Add to BasketFrench and English Polyphony of the 13th and 14th Centuries : Style and Notation
Ernest H. Sanders
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Add to BasketThe Ordo Virtutum of Hildegard of Bingen : Critical Studies
Audrey Ekdahl Davidson
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Add to BasketThe Play of Daniel : Critical Essays
Dunbar H. Ogden
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Add to BasketCantigas de Loor
Martin Cunningham
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Add to BasketThree Master Musicians : Medieval Islamic Music
F. Matthew Caswell
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Andrea (University of Salzburg, Austria) Lindmayr-Brandl
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Add to BasketThe Scientia artis musice of Helie Salomon: Teaching Music in the Late Thirteenth Century : Latin Text with English Translation and Commentary
Joseph Dyer
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Add to BasketGuarini's 'Il pastor fido' and the Madrigal : Voicing the Pastoral in Late Renaissance Italy
Seth Coluzzi
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Add to BasketChamber Music : Elizabethan Sonnet-sequences and the Pleasure of Criticism
Roger Kuin
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