Isaac Vossius's De poematum cantu et viribus rhythmi, 1673 : On the Music of Poetry and Power of Rhythm
Peter Martens
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The Organ Music of J. S. Bach
Peter Williams
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The Keyboard Music of J.S. Bach
David Schulenberg
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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Bach & God
Michael (Professor of Music, Emeritus, Professor of Music, E Marissen
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The Pathetick Musician : Moving an Audience in the Age of Eloquence
Bruce (Former Associate Professor of Music, Former Associate P Haynes
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Orpheus in the Academy : Monteverdi's First Opera and the Accademia degli Invaghiti
Joel (Boston Conservatory at Berklee, USA) Schwindt
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The Roman Sacred Music of Alessandro Scarlatti
Luca Della Libera
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Music, Books and Theatre in Eighteenth-Century Exton : A Context for Handel's ‘Comus’
Colin (University of Birmingham, UK) Timms
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The Dynamics of Harmony : Principles and Practice
George (Emeritus Professor of Music, Emeritus Professor of Musi Pratt
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The Christian West and Its Singers : The First Thousand Years
Christopher Page
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Continuo Playing According to Handel : His Figured Bass Exercises. With a Commentary
David (Lecturer in Keyboard Studies, Lecturer in Keyboard S Ledbetter
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Bach : A Musical Biography
Peter (University of Edinburgh) Williams
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After the Golden Age : Romantic Pianism and Modern Performance
Kenneth (is a concert pianist and a member of the music depa Hamilton
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The Baroque Clarinet
Albert R. (Curator, Curator, the Fiske Museum of Musical Instrum Rice
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The Cambridge Handel Encyclopedia
Annette Landgraf
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A Performer's Guide to Seventeenth-Century Music, Second Edition
Jeffery Kite-Powell
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Dramma per Musica : Italian Opera Seria of the Eighteenth Century
Reinhard Strohm
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The Cambridge History of Eighteenth-Century Music
Simon P. (University of Sheffield) Keefe
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Studies in Historical Improvisation : From Cantare super Librum to Partimenti
Massimiliano Guido
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Handel as Orpheus : Voice and Desire in the Chamber Cantatas
Ellen T. Harris
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The Virtual Haydn : Paradox of a Twenty-First-Century Keyboardist
Tom Beghin
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Monteverdi's Last Operas: A Venetian Trilogy
Ellen Rosand
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Anthology for Music in the Baroque
Wendy (Princeton University) Heller
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