Anthology for Music in the Baroque
Wendy (Princeton University) Heller
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Monteverdi's Last Operas: A Venetian Trilogy
Ellen Rosand
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Bach's Well-Tempered Clavier : An Exploration of the 48 Preludes and Fugues
Marjorie Wornell Engels
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Music in the Seventeenth Century
Lorenzo Bianconi
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The Virtual Haydn : Paradox of a Twenty-First-Century Keyboardist
Tom Beghin
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Experiencing Tchaikovsky : A Listener's Companion
David Schroeder
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The Reception of Bach's Organ Works from Mendelssohn to Brahms
Russell (Professor and College Organist, Professor and Colleg Stinson
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Crossing Confessional Boundaries : The Patronage of Italian Sacred Music in Seventeenth-Century Dresden
Mary (Associate Professor of Music, Associate Professor of M Frandsen
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Bach Perspectives, Volume 9 : J.S. Bach and His Contemporaries in Germany
Andrew Talle
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Musical Poetics
Joachim Burmeister
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Tainted Glory in Handel’s Messiah : The Unsettling History of the World’s Most Beloved Choral Work
Michael Marissen
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Masque and Opera in England, 1656-1688
Andrew Walkling
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Rethinking J.S. Bach's The Art of Fugue
Anatoly Milka
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Cultural Histories of Noise, Sound and Listening in Europe, 1300-1918
Kirsten Gibson
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French Baroque Opera: A Reader : Revised Edition
Caroline Wood
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Knowledge Building in Early Modern English Music
Katie Bank
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The Routledge Research Companion to Johann Sebastian Bach
Robin Leaver
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Baronial Patronage of Music in Early Modern Rome
Valerio Morucci
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John Wallis: Writings on Music
Benjamin Wardhaugh
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Johann Mattheson’s Pieces de clavecin and Das neu-eroffnete Orchestre : Mattheson’s Universal Style in Theory and Practice
Margaret Seares
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Teaching Music History with Cases : A Teacher's Guide
Sara Haefeli
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Anthology for Hearing Form : Musical Analysis With and Without the Score
Matthew (Texas Tech University, USA) Santa
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English Dramatick Opera, 1661–1706
Andrew R. Walkling
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Claudio Monteverdi : A Research and Information Guide
Susan Lewis
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