Wagner: The Complete Experience : And Its Meaning to Us
Paul Dawson-Bowling
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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Scores of Being : Opera and Dialectics
H a E Hub Zwart
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Corresponding with Carlos : A Biography of Carlos Kleiber
Charles Barber
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The Organ Music of J. S. Bach
Peter Williams
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Applying Karnatic Rhythmical Techniques to Western Music
Rafael Reina
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A History of the American Musical Theatre : No Business Like It
Nathan (Rider University, USA) Hurwitz
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The Keyboard Music of J.S. Bach
David Schulenberg
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Modal Counterpoint : Renaissance Style
Peter (Associate Professor in the Faculty of Music, Associat Schubert
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Electronic and Experimental Music : Technology, Music, and Culture
Thom Holmes
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Music in the Galant Style
Robert (Professor of Music, School of Music, Professor of Gjerdingen
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The Cambridge History of Western Music Theory
Thomas (University of Chicago) Christensen
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Anthology of Post-Tonal Music : For Use with Understanding Post-Tonal Music
Miguel A. Roig-Francoli
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Omnis Temporalis : A Visual Long-Playing Record
Seth
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Music as Propaganda in the German Reformation
Rebecca Wagner Oettinger
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Performing Arts in Changing Societies : Opera, Dance, and Theatre in European and Nordic Countries around 1800
Randi Margrete Selvik
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A History of the Symphony : The Grand Genre
Jeffrey Langford
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Sounding Out: Pauline Oliveros and Lesbian Musicality
Martha Mockus
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A History of the American Musical Theatre : No Business Like It
Nathan (Rider University, USA) Hurwitz
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Classical Concert Studies : A Companion to Contemporary Research and Performance
Martin Trondle
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Rethinking Prokofiev
Rita (Emeritus Professor, Emeritus Professor, Royal Conser McAllister
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Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane Davidson
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From Music to Sound : The Emergence of Sound in 20th- and 21st-Century Music
Makis (University of Paris, France) Solomos
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