Life of Mozart: Volume 3
Otto Jahn
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Beethoven's Letters : A Critical Edition with Explanatory Notes
Ludwig van Beethoven
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Beethoven's Letters : A Critical Edition with Explanatory Notes
Ludwig van Beethoven
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Gregorio Ballabene’s Forty-eight-part Mass for Twelve Choirs (1772)
Florian Bassani
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Performativity and Performance in Baroque Rome
Peter Gillgren
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The Ashgate Research Companion to Henry Purcell
Rebecca Herissone
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The Instrumental Music of Schmeltzer, Biber, Muffat and their Contemporaries
Charles E. Brewer
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Style and Performance for Bowed String Instruments in French Baroque Music
Mary Cyr
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New Perspectives on Marc-Antoine Charpentier
Shirley Thompson
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Music in the British Provinces, 1690-1914
Peter Holman
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Sacred Music as Public Image for Holy Roman Emperor Ferdinand III : Representing the Counter-Reformation Monarch at the End of the Thirty Years' War
Andrew H. Weaver
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The Courtly Consort Suite in German-Speaking Europe, 1650–1706
Michael Robertson
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A Woman's Voice in Baroque Music: Mariane von Ziegler and J.S. Bach
MarkA. Peters
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Heinrich Scheidemann's Keyboard Music : Transmission, Style and Chronology
Pieter Dirksen
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Bolognese Instrumental Music, 1660-1710 : Spiritual Comfort, Courtly Delight, and Commercial Triumph
Gregory Barnett
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Aspects of the Secular Cantata in Late Baroque Italy
Michael Talbot
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The Performance of Italian Basso Continuo : Style in Keyboard Accompaniment in the Seventeenth and Eighteenth Centuries
Giulia Nuti
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Music in Seventeenth-Century Naples : Francesco Provenzale (1624-1704)
Dinko Fabris
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Johann Joseph Fux and the Music of the Austro-Italian Baroque
Harry White
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Music in the Collective Experience in Sixteenth-Century Milan
Christine Suzanne Getz
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Baroque Woodwind Instruments : A Guide to Their History, Repertoire and Basic Technique
Paul Carroll
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Nicholas Lanier : Master of the King’s Musick
Michael I. Wilson
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Baroque Piety: Religion, Society, and Music in Leipzig, 1650-1750
Tanya Kevorkian
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Networks of Music and Culture in the Late Sixteenth and Early Seventeenth Centuries : A Collection of Essays in Celebration of Peter Philips’s 450th Anniversary
David J. Smith
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