Modes of Communication in Stravinsky’s Works : Sign and Expression
Per Dahl
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Schubert's Workshop: Volume 2 : Mastery and Beyond
Brian Newbould
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Topics in Musical Interpretation
Sezi (Bucknell University, USA) Seskir
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Camille Saint-SA Ens and the French Solo Concerto from 1850 to 1920
Michael Stegemann
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Composing Processes and Artistic Agency : Tacit Knowledge in Composing
Tasos Zembylas
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The Craft of Tonal Counterpoint
Thomas Benjamin
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The Digital Score : Musicianship, Creativity and Innovation
Craig (De Montfort University, UK) Vear
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China and the World since 1945 : An International History
Peter Schat
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The Handel and Haydn Society : Bringing Music to Life for 200 Years
Teresa M. Neff
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Mina F. Miller
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The Australian Symphony from Federation to 1960
Rhoderick McNeill
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Michael Costa: England's First Conductor : The Revolution in Musical Performance in England, 1830-1880
John Goulden
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Conductors and Composers of Popular Orchestral Music : A Biographical and Discographical Sourcebook
Naomi Musiker
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Orchestras : A Model for Social and Organizational Development
Ralph J. Bathurst
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The Scoring of Baroque Concertos
Richard Maunder
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Sounds Unlikely
Margaret Handford
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The Show Must Go On : On Tour with the LSO in 1912 and 2012
Gareth Davies
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Mathematics of Musical Rhythm : In Memoriam Godfried Toussaint
Jason Yust
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Maqam Melodies : Pitches, Patterns, and Developments of Music in the Middle East and other Microtonal Writings
Peter Thoegersen
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