Orchestrating the Nation : The Nineteenth-Century American Symphonic Enterprise
Douglas (Assistant Professor of Musicology, Assistant Professo Shadle
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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Insights into Music Composition
Gregory (Montana State University, USA) Young
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Modes of Communication in Stravinsky’s Works : Sign and Expression
Per Dahl
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Schubert's Workshop: Volume 2 : Mastery and Beyond
Brian Newbould
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Schubert's Workshop (Two Volume Set)
Brian Newbould
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Topics in Musical Interpretation
Sezi (Bucknell University, USA) Seskir
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The Craft of Tonal Counterpoint
Thomas Benjamin
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The Digital Score : Musicianship, Creativity and Innovation
Craig (De Montfort University, UK) Vear
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Composing Processes and Artistic Agency : Tacit Knowledge in Composing
Tasos Zembylas
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The Australian Symphony from Federation to 1960
Rhoderick McNeill
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Orchestras : A Model for Social and Organizational Development
Ralph J. Bathurst
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Michael Costa: England's First Conductor : The Revolution in Musical Performance in England, 1830-1880
John Goulden
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Thesaurus of Orchestral Devices
Gardner Read
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Camille Saint-SA Ens and the French Solo Concerto from 1850 to 1920
Michael Stegemann
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West Side Story, Gypsy, and the Art of Broadway Orchestration
Paul (University of Kansas, USA) Laird
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Compositional Process in Elliott Carter’s String Quartets : A Study in Sketches
Laura (Emory University, USA) Emmery
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Sound in the Ecstatic-Materialist Perspective on Experimental Music
Riccardo D. Wanke
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The Six Brandenburg Concertos BWV 1046-1051
Johann Sebastian Bach
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Symphony No.8 In B Minor D759, 'Unfinished' : Miniature Score of D759 Unfinished and D944 the Great
Franz Schubert
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American Orchestral Music : A Performance Catalog
Richard Koshgarian
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A Conductor's Guide to Choral-Orchestral Works, Twentieth Century : Part II: The Music of Rachmaninov through Penderecki
Jonathan D. Green
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Black Women in American Bands and Orchestras
Antoinette D. Handy
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