Compositional Process in Elliott Carter’s String Quartets : A Study in Sketches
Laura Emmery
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Sound in the Ecstatic-Materialist Perspective on Experimental Music
Riccardo D. Wanke
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China and the World since 1945 : An International History
Peter Schat
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Contemporary Orchestration : A Practical Guide to Instruments, Ensembles, and Musicians
R.J. (Metropolitan State College of Denver, USA) Miller
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Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition
David (University of Toronto, Canada) Beach
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Masterworks of 20th-Century Music : The Modern Repertory of the Symphony Orchestra
Douglas Lee
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Robert Schumann and the Piano Concerto
Claudia Macdonald
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The Symphonic Repertoire, Volume II : The First Golden Age of the Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert
A. Peter Brown
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The Symphonic Repertoire, Volume IV : The Second Golden Age of the Viennese Symphony: Brahms, Bruckner, Dvorak, Mahler, and Selected Contemporaries
A. Peter Brown
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American Orchestras in the Nineteenth Century
John Spitzer
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Conductors and Composers of Popular Orchestral Music : A Biographical and Discographical Sourcebook
Naomi Musiker
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Orchestras : A Model for Social and Organizational Development
Ralph J. Bathurst
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The Australian Symphony from Federation to 1960
Rhoderick McNeill
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The Scoring of Baroque Concertos
Richard Maunder
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Baton Basics : Communicating Music through Gesture
Diane (Music Director, Music Director, Allentown Symphony Orch Wittry
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Orchestrating the Nation : The Nineteenth-Century American Symphonic Enterprise
Douglas (Assistant Professor of Musicology, Assistant Professo Shadle
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Begins with the Oboe : A History of the Toronto Symphony Orchestra
Richard Warren
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Black Women in American Bands and Orchestras
Antoinette D. Handy
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New York Philharmonic : The Authorized Recordings, 1917-2005
James H. North
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Thesaurus of Orchestral Devices
Gardner Read
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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Insights into Music Composition
Gregory (Montana State University, USA) Young
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Modes of Communication in Stravinsky’s Works : Sign and Expression
Per Dahl
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Composing Processes and Artistic Agency : Tacit Knowledge in Composing
Tasos Zembylas
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