The Beat Stops Here : Lessons on and off the Podium for Today's Conductor
Mark (Professor and Director of Orchestral Studies, Professor Gibson
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Rethinking Bach
Bettina (Lecturer in Early Modern Music, Lecturer in Early Mod Varwig
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Bartok's Viola Concerto : The Remarkable Story of His Swansong
Donald (Associate Professor of Music, Associate Professor of Maurice
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The Score, the Orchestra, and the Conductor
Gustav (Director of the Graduate Conducting Program at the Peab Meier
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Baton Basics : Communicating Music through Gesture
Diane (Music Director, Music Director, Allentown Symphony Orch Wittry
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Orchestrating the Nation : The Nineteenth-Century American Symphonic Enterprise
Douglas (Assistant Professor of Musicology, Assistant Professo Shadle
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The Symphonic Repertoire, Volume II : The First Golden Age of the Viennese Symphony: Haydn, Mozart, Beethoven, and Schubert
A. Peter Brown
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The Symphonic Repertoire, Volume IV : The Second Golden Age of the Viennese Symphony: Brahms, Bruckner, Dvorak, Mahler, and Selected Contemporaries
A. Peter Brown
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Conductors and Composers of Popular Orchestral Music : A Biographical and Discographical Sourcebook
Reuben Musiker
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West Side Story, Gypsy, and the Art of Broadway Orchestration
Paul (University of Kansas, USA) Laird
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American Orchestras in the Nineteenth Century
John Spitzer
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Orchestras : A Model for Social and Organizational Development
Ralph J. Bathurst
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The Australian Symphony from Federation to 1960
Rhoderick McNeill
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Michael Costa: England's First Conductor : The Revolution in Musical Performance in England, 1830-1880
John Goulden
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Conductors and Composers of Popular Orchestral Music : A Biographical and Discographical Sourcebook
Naomi Musiker
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The Scoring of Baroque Concertos
Richard Maunder
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Composing Processes and Artistic Agency : Tacit Knowledge in Composing
Tasos Zembylas
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The Craft of Tonal Counterpoint
Thomas Benjamin
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The Digital Score : Musicianship, Creativity and Innovation
Craig (De Montfort University, UK) Vear
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Schubert's Workshop: Volume 2 : Mastery and Beyond
Brian Newbould
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Topics in Musical Interpretation
Sezi (Bucknell University, USA) Seskir
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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Insights into Music Composition
Gregory (Montana State University, USA) Young
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Modes of Communication in Stravinsky’s Works : Sign and Expression
Per Dahl
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