Guitar Cultures
Andy Bennett
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Guitar Cultures
Andy Bennett
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Maximum MIDI Music Applications in C++ Learn to Write Music Computer Programs Using Musical Instrument Digital Interface (MIDI)
Paul Messick
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Dance Music Spaces : Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism
Danielle Antoinette Hidalgo
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Electronic Dance Music : From Deviant Subculture to Culture Industry
Christopher T. Conner
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Electronic Dance Music : From Deviant Subculture to Culture Industry
Christopher T. Conner
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Code Musicology : From Hardwired to Software
Denis Crowdy
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The Process That Is the World : Cage/Deleuze/Events/Performances
Panzner Joe Panzner
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The Process That Is the World : Cage/Deleuze/Events/Performances
Panzner Joe Panzner
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Scratch Music Projects
Andrew R. (Professor of Digital Arts, Professor of Digital Arts Brown
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Scratch Music Projects
Andrew R. (Professor of Digital Arts, Professor of Digital Arts Brown
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Creating Sounds from Scratch : A Practical Guide to Music Synthesis for Producers and Composers
Andrea (Chair, Contemporary Writing and Production, Chair, Co Pejrolo
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Interactive Composition : Strategies Using Ableton Live and Max for Live
VJ (Director of Music Technology, Director of Music Technology, Manzo
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Life and Death on the New York Dance Floor, 1980-1983
Tim Lawrence
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What's a Synthesizer? : Simple Answers to Common Questions about the New Musical Technology
Jon F. Eiche
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Automated Music Composition
Phil Winsor
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Gibson Electric: the Classic Years
A.R. Duchessoir
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Introduction to the Creation of Electroacoustic Music
Samuel Pellman
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Sounding Art : Eight Literary Excursions through Electronic Music
Katharine Norman
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Women Composers and Music Technology in the United States : Crossing the Line
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