SuperCollider for the Creative Musician : A Practical Guide
Eli (Assistant Professor of Music Composition-Theory, Assi Fieldsteel
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Add to BasketTrinity College London Electronic Keyboard Exam Pieces & Technical Work From 2019: Initial Grade
Trinity College London
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Life and Death on the New York Dance Floor, 1980-1983
Tim Lawrence
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Add to BasketMake: Analog Synthesizers : Make Electronic Sounds the Synth-DIY Way
Ray Wilson
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Spectrum Compendium : Archival Documentation of the Post-Industrial Underground: Spectrum Magazine Archive 1998 - 2002
Richard Stevenson
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Add to BasketInteractive Composition : Strategies Using Ableton Live and Max for Live
V.J. Manzo
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Expanding the Horizon of Electroacoustic Music Analysis
Simon Emmerson
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Poesy Matters and Other Matters
Catherine Hennix
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Add to BasketCreating Sounds from Scratch : A Practical Guide to Music Synthesis for Producers and Composers
Andrea Pejrolo
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Inside Computer Music
Michael (Professor of Music, Professor of Music, University of Clarke
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Add to BasketCreating Sounds from Scratch : A Practical Guide to Music Synthesis for Producers and Composers
Andrea Pejrolo
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Interactive Composition : Strategies Using Ableton Live and Max for Live
V.J. Manzo
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Push : Software Design and the Cultural Politics of Music Production
Mike (Assistant Professor of Music and Computer Science, Ass D'Errico
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Add to BasketExpanding the Horizon of Electroacoustic Music Analysis
Simon Emmerson
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The Beat, the Scene, the Sound : A DJ's Journey through the Rise, Fall, and Rebirth of House Music in New York City
DJ Disciple
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Add to BasketDance Music Spaces : Clubs, Clubbers, and DJs Navigating Authenticity, Branding, and Commercialism
Danielle Antoinette Hidalgo
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Code Musicology : From Hardwired to Software
Denis Crowdy
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Add to BasketAcoustic Profiles : An Acoustic Ecology of the Cinema
Randolph (Lecturer in the Humanities, Lecturer in the Humaniti Jordan
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