The Sociology of Wind Bands : Amateur Music Between Cultural Domination and Autonomy
Vincent Dubois
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Studio-Based Instrumental Learning
Kim Burwell
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Musical Creativity: Insights from Music Education Research
Oscar Odena
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British Women Composers and Instrumental Chamber Music in the Early Twentieth Century
Laura Seddon
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The Courtly Consort Suite in German-Speaking Europe, 1650–1706
Michael Robertson
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The Australian Symphony from Federation to 1960
Rhoderick McNeill
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The New Guitarscape in Critical Theory, Cultural Practice and Musical Performance
Kevin Dawe
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Bolognese Instrumental Music, 1660-1710 : Spiritual Comfort, Courtly Delight, and Commercial Triumph
Gregory Barnett
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Understanding Mozart's Piano Sonatas
John Irving
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Baroque Woodwind Instruments : A Guide to Their History, Repertoire and Basic Technique
Paul Carroll
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Perspectives on the Performance of French Piano Music
Lesley A. Wright
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Interpreting Historical Keyboard Music : Sources, Contexts and Performance
Andrew Woolley
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Isolde Ahlgrimm, Vienna and the Early Music Revival
Peter Watchorn
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I Drum, Therefore I Am : Being and Becoming a Drummer
Gareth Dylan Smith
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The Companion to The Mechanical Muse: The Piano, Pianism and Piano Music, c.1760-1850
Derek Carew
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A Provincial Organ Builder in Victorian England : William Sweetland of Bath
Gordon D.W. Curtis
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Advanced Musical Performance: Investigations in Higher Education Learning
Ioulia Papageorgi
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Gaspar Cassado : Cellist, Composer and Transcriber
Gabrielle (Independent scholar, Barcelona, Spain) Kaufman
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The String Quartet, 1750–1797 : Four Types of Musical Conversation
Mara Parker
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Consort Suites and Dance Music by Town Musicians in German-Speaking Europe, 1648–1700
Michael Robertson
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Revival: Dictionary of the Organ (1914) : Organ Registers, Their Timbres, Combinations, and Acoustic Phenomena
Carl Locher
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String Quartets : A Research and Information Guide
Mara (Widener University) Parker
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Chamber Music : A Research and Information Guide
John H Baron
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Directory of Choral-Orchestral Music
Michael Rosewall
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