Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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The Symphony in Australia, 1960-2020
Rhoderick McNeill
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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Modular Synthesis : Patching Machines and People
Ezra J. Teboul
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Topics in Musical Interpretation
Sezi (Bucknell University, USA) Seskir
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Composing Electronic Music : A New Aesthetic
Curtis (Professor of Media Arts and Technology, Professor of Me Roads
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The Score, the Orchestra, and the Conductor
Gustav (Director of the Graduate Conducting Program at the Peab Meier
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The Contemporary Guitar
John Schneider
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Creating Sounds from Scratch : A Practical Guide to Music Synthesis for Producers and Composers
Andrea (Chair, Contemporary Writing and Production, Chair, Co Pejrolo
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Tanbur Long-Necked Lutes along the Silk Road and beyond
Hans de Zeeuw
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Keyboard Skills for the Practical Musician
Cole (Bowling Green State University College of Musical Arts, Burger
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The Modern Brass Band : From the 1930s to the New Millennium
Roy Newsome
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Practicing Music by Design : Historic Virtuosi on Peak Performance
Christopher (University of South Carolina, USA) Berg
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Classical Concert Studies : A Companion to Contemporary Research and Performance
Martin Trondle
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The Quest for the Melodic Electric Bass : From Jamerson to Spenner
Per Elias Drablos
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Studies in Historical Improvisation : From Cantare super Librum to Partimenti
Massimiliano Guido
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Microtonality and the Tuning Systems of Erv Wilson
Terumi Narushima
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The Concerto : A Research and Information Guide
Stephan D. Lindeman
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Twentieth-Century Organ Music
Christopher S. (Southern Methodist University, USA) Anderson
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Encyclopedia of Percussion
John H. Beck
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Global Percussion Innovations : The Australian Perspective
Louise Devenish
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The Player Piano and Musical Labor : The Ghost in the Machine
Allison Rebecca Wente
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