SuperCollider for the Creative Musician : A Practical Guide
Eli (Assistant Professor of Music Composition-Theory, Assi Fieldsteel
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Modular Synthesis : Patching Machines and People
Ezra J. Teboul
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Modular Synthesis : Patching Machines and People
Ezra J. Teboul
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Phantasmagoria of the Uncanny : Nomadism, Technique, and Aesthetics in the Psychedelic Rave
Leandros, University of Athens Kyriakopoulos
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The Computer Music Tutorial
Curtis (University of California at Santa Barbara) Roads
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Sound Synthesis and Sampling
Martin Russ
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Composing Electronic Music : A New Aesthetic
Curtis (Professor of Media Arts and Technology, Professor of Me Roads
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Make: Analog Synthesizers : Make Electronic Sounds the Synth-DIY Way
Ray Wilson
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Creating Sounds from Scratch : A Practical Guide to Music Synthesis for Producers and Composers
Andrea (Chair, Contemporary Writing and Production, Chair, Co Pejrolo
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Analog Days : The Invention and Impact of the Moog Synthesizer
Trevor Pinch
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Reminded by the Instruments : David Tudor's Music
You (Assistant Professor, Assistant Professor, Kyoto City Unive Nakai
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Inner Sound : Altered States of Consciousness in Electronic Music and Audio-Visual Media
Jonathan Weinel
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The Quest for the Melodic Electric Bass : From Jamerson to Spenner
Per Elias Drablos
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Bodily Expression in Electronic Music : Perspectives on Reclaiming Performativity
Deniz Peters
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Acoustic Profiles : An Acoustic Ecology of the Cinema
Randolph (Lecturer in the Humanities, Lecturer in the Humaniti Jordan
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Trinity College London Electronic Keyboard Exam Pieces & Technical Work From 2019: Initial Grade
Trinity College London
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Electronic and Computer Music
Peter (Professor of Music, Professor of Music, University of Manning
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Interactive Composition : Strategies Using Ableton Live and Max for Live
VJ (Director of Music Technology, Director of Music Technology, Manzo
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