Indian Classical Music and the Gramophone, 1900-1930
Vikram Sampath
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Sound Inventions : Selected Articles from Experimental Musical Instruments
Bart Hopkin
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Phonographic Encounters : Mapping Transnational Cultures of Sound, 1890-1945
Elodie A. (University of Newcastle, UK) Roy
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Finding Your Career in the Modern Audio Industry
April Tucker
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Analyzing Recorded Music : Collected Perspectives on Popular Music Tracks
William Moylan
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The MIDI Manual : A Practical Guide to MIDI within Modern Music Production
David Miles (Freelance Recording Engineer; Consultant; Contribu Huber
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Drum Sound and Drum Tuning : Bridging Science and Creativity
Rob (Anglia Ruskin University) Toulson
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Designing Interactions for Music and Sound
Michael (Simon Fraser University, Canada) Filimowicz
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Sound Media : From Live Journalism to Music Recording
Lars (University of Bergen, Norway) Nyre
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Production & Consumption of Music
Alan Bradshaw
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Scoring the Score : The Role of the Orchestrator in the Contemporary Film Industry
Ian (University of Leeds, UK) Sapiro
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Sound Systems: Design and Optimization : Modern Techniques and Tools for Sound System Design and Alignment
Bob McCarthy
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David Bowie : Critical Perspectives
Eoin Devereux
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The Audio Expert : Everything You Need to Know About Audio
Ethan (Co-owner, RealTraps, USA) Winer
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The Music Producer’s Survival Guide : Chaos, Creativity, and Career in Independent and Electronic Music
Brian M. Jackson
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Quincy Jones : A Research and Information Guide
Clarence Bernard Henry
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An Introduction to Music Technology
Dan (California State University, Northridge, USA) Hosken
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Understanding and Crafting the Mix : The Art of Recording
William Moylan
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The Music Business and Recording Industry
Geoffrey Hull
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Scratch Music Projects
Andrew R. (Professor of Digital Arts, Professor of Digital Arts Brown
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Arduino for Musicians : A Complete Guide to Arduino and Teensy Microcontrollers
Brent (Associate Professor: jazz studies, theory, composition Edstrom
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Music and the Broadcast Experience : Performance, Production, and Audiences
Christina (Associate Professor, Communication Studies, Associat Baade
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The History of Music Production
Richard James (Director of Marketing and Sales, Director of M Burgess
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Sonic Virtuality : Sound as Emergent Perception
Mark (Professor of Music, Professor of Music, University of Grimshaw
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