The War on Music : Reclaiming the Twentieth Century
John Mauceri
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Understanding the Leitmotif : From Wagner to Hollywood Film Music
Matthew (University of Minnesota) Bribitzer-Stull
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The Music of James MacMillan
Phillip A. (Royalty Account) Cooke
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Claude Debussy Piano Music 1888 - 1905
Claude Debussy
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This Is Our Music : Free Jazz, the Sixties, and American Culture
Iain Anderson
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Sergey Prokofiev Diaries 1924-1933 : Prodigal Son
Sergei Prokofiev
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The Cambridge Companion to Michael Tippett
Kenneth (Cardiff University) Gloag
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The Cambridge Companion to Women in Music since 1900
Laura Hamer
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The Cambridge Companion to Music and Romanticism
Benedict (University of Edinburgh) Taylor
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The Jukebox Musical : An Interpretive History
Kevin Byrne
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The Cambridge Companion to Operetta
Anastasia (University of Leeds) Belina
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Stravinsky in Context
Graham (City, University of London) Griffiths
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Mahler in Context
Charles (Pennsylvania State University) Youmans
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The Cambridge Companion to Serialism
Martin (University of Leeds) Iddon
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Twentieth-Century Music in the West : An Introduction
Tom (Goldsmiths, University of London) Perchard
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The Player Piano and Musical Labor : The Ghost in the Machine
Allison Rebecca Wente
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Elliott Carter's Late Music
John Link
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Material Cultures of Music Notation : New Perspectives on Musical Inscription
Floris (Utrecht University, Netherlands) Schuiling
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The Politicized Concert Mass (1967-2007) : From Secularism to Pluralism
Stephanie Rocke
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Revisiting the Historiography of Postwar Avant-Garde Music
Anne-Sylvie Barthel-Calvet
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Experiencing Organised Sounds : The Listening Experience Across Diverse Sound-Based Works
Leigh Landy
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The Stage Works of Philip Glass
Robert F. (New Jersey Institute of Technology) Waters
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Utopia, Innovation, Tradition : Bruno Maderna's Cosmos
Angela Ida De Benedictis
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A New Perspective for the Use of Dialect in African American Spirituals : History, Context, and Linguistics
Felicia Raphael Marie Barber
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