The Cambridge Companion to Music and Romanticism
Benedict (University of Edinburgh) Taylor
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The Jukebox Musical : An Interpretive History
Kevin Byrne
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The Cambridge Companion to Operetta
Anastasia (University of Leeds) Belina
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Stravinsky in Context
Graham (City, University of London) Griffiths
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Mahler in Context
Charles (Pennsylvania State University) Youmans
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Twentieth-Century Music in the West : An Introduction
Tom (Goldsmiths, University of London) Perchard
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Luc Ferrari : Complete Works
Brunhild Ferrari
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The Stage Works of Philip Glass
Robert F. (New Jersey Institute of Technology) Waters
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Experiencing Organised Sounds : The Listening Experience Across Diverse Sound-Based Works
Leigh Landy
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Elliott Carter's Late Music
John Link
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Revisiting the Historiography of Postwar Avant-Garde Music
Anne-Sylvie Barthel-Calvet
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The Strauss Dynasty and Habsburg Vienna
David Wyn (Cardiff University) Jones
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Modes of Communication in Stravinsky’s Works : Sign and Expression
Per Dahl
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Singing Soviet Stagnation: Vocal Cycles from the USSR, 1964-1985
Richard Louis Gillies
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Musics with and after Tonality : Mining the Gap
Paul Fleet
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Utopia, Innovation, Tradition : Bruno Maderna's Cosmos
Angela Ida De Benedictis
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A New Perspective for the Use of Dialect in African American Spirituals : History, Context, and Linguistics
Felicia Raphael Marie Barber
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War Requiem Op.66
Benjamin Britten
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Petrouchka : Burlesque in Four Scenes, Revised 1947 Edition
Igor Stravinsky
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The Oxford History of Western Music: Music in the Late Twentieth Century
Richard (Professor of musicology, Professor of musicology, U Taruskin
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The Oxford History of Western Music: Music in the Early Twentieth Century
Richard (Professor of musicology, Professor of musicology, U Taruskin
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The Cambridge Companion to Benjamin Britten
Mervyn (University of Nottingham) Cooke
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Four Musical Minimalists : La Monte Young, Terry Riley, Steve Reich, Philip Glass
Keith (Goldsmiths, University of London) Potter
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Film Music : Critical Approaches
K. J. Donnelly
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