Recording Orchestra and Other Classical Music Ensembles
Richard King
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Music Theatre and the Holy Roman Empire : The German Musical Stage at the Turn of the Nineteenth Century
Austin (University of Durham) Glatthorn
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Orchestra Management : Models and Repertoires for the Symphony Orchestra
Arne Herman
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Reform and Regulation of Economic Institutions in Afghanistan : Formal and Informal Credit Systems
Haroun Rahimi
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Opera Outside the Box : Notions of Opera in Nineteenth-Century Britain
Roberta Montemorra (University of Massachusetts, USA) Marvin
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Remaking Culture and Music Spaces : Affects, Infrastructures, Futures
Ian (Syddansk Universitet, Denmark) Woodward
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Streaming Sounds : Musical Listening in the Digital Age
Michael James (University of Canberra, Australia) Walsh
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Creative Concert Production and Entrepreneurship : Concert Dramaturgy and Project Development for the Performing Arts
Andreas (Norwegian Academy of Music, Oslo) Sonning
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Relational Improvisation : Music, Dance and Contemporary Art
Simon Rose
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Popular Music and the Rise of Populism in Europe
Mario Dunkel
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Perspectives on Conducting
Roisin Blunnie
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Archaic Instruments in Modern West Java: Bamboo Murmurs
Henry Spiller
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Isaac Vossius's De poematum cantu et viribus rhythmi, 1673 : On the Music of Poetry and Power of Rhythm
Peter Martens
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Noise as a Constructive Element in Music : Theoretical and Music-Analytical Perspectives
Mark Delaere
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Women in Rock, Women in Romanticism
James Rovira
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Woodstock University
Oliver (University of British Columbia, Canada) Lovesey
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Community-based Traditional Music in Scotland : A Pedagogy of Participation
Josephine L. Miller
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Topics in Musical Interpretation
Sezi (Bucknell University, USA) Seskir
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Resurrecting Song : A Pathway Forward for the Choral Art in the Time of Pandemics
Wendy K. Moy
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Paul Weller and Popular Music : Identity, Idiolect and Image
Andrew West
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Music and Mental Imagery
Mats B. Kussner
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Sonic Rebellions : Sound and Social Justice
Wanda Canton
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Instrumental Music Education : Teaching with the Musical and Practical in Harmony
Evan Feldman
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Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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