Navigating Stylistic Boundaries in the Music History Classroom : Crossover, Exchange, Appropriation
Esther M. Morgan-Ellis
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New Mansions For Music : Performance, Pedagogy and Criticism
Lakshmi Subramanian
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Cold War Country : How Nashville's Music Row and the Pentagon Created the Sound of American Patriotism
Joseph M. Thompson IV
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The Viennese Waltz : Decadence and the Decline of Austria’s Unconscious
Danielle Hood
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Music Education on the Verge : Stories of Pandemic Teaching and Transformative Change
Judy Lewis
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Maldito Coronavirus! : Mapping Latin American Musical Responses to the Pandemic Moment
Daniel S Margolies
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Cathedral Rituals and Chanting Practices among the Medieval Orthodox Slavs – Kondakarnoie Pienie : The Forefeast, Christmas and Epiphany Cycles
Gregory Myers
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The Virgin Book of British Hit Singles: Volume 2
OCC
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Nicaea and its Legacy : An Approach to Fourth-Century Trinitarian Theology
Lewis (Assistant Professor of Historical Theology, Candler Scho Ayres
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The Penguin Jazz Guide : The History of the Music in the 1000 Best Albums
Brian Morton
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How to Write About Music : Excerpts from the 33 1/3 Series, Magazines, Books and Blogs with Advice from Industry-leading Writers
Marc Woodworth
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Experimental Music : Cage and Beyond
Michael Nyman
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Love Saves the Day : A History of American Dance Music Culture, 1970-1979
Tim Lawrence
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Blue Note : Uncompromising Expression: The Finest in Jazz Since 1939
Richard Havers
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Mozipedia : The Encyclopaedia of Morrissey and the Smiths
Simon Goddard
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Genesis and The Lamb Lies Down on Broadway
Kevin Holm-Hudson
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STUDYING POPULAR MUSIC
Richard Middleton
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Musical Theatre : A History
John Kenrick
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Experimental Music Since 1970
Jennie (Independent Scholar, USA) Gottschalk
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Choosing Death : The Improbable History of Death Metal & Grindcore
Scott Carlson
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Tom Waits Anthology
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How to Go Mad without Losing Your Mind : Madness and Black Radical Creativity
La Marr Jurelle Bruce
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The Oxford History of Western Music: Music from the Earliest Notations to the Sixteenth Century
Richard (Professor of musicology, Professor of musicology, U Taruskin
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The Gilded Stage : A Social History of Opera
Daniel Snowman
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