Wagner: The Complete Experience : And Its Meaning to Us
Paul Dawson-Bowling
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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Cognate Music Theories : The Past and the Other in Musicology (Essays in Honor of John Walter Hill)
Ignacio Prats-Arolas
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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John Zorn’s File Card Works : Hypertextual Intermediality in Composition and Analysis
Maurice Windleburn
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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History as Fantasy in Music, Sound, Image, and Media
James (Edinburgh University) Cook
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Mission Praise (Two-Volume Set): Full Music
Peter Horrobin
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Representing African Music : Postcolonial Notes, Queries, Positions
Kofi Agawu
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Music as Propaganda in the German Reformation
Rebecca Wagner Oettinger
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Omnis Temporalis : A Visual Long-Playing Record
Seth
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Performing Arts in Changing Societies : Opera, Dance, and Theatre in European and Nordic Countries around 1800
Randi Margrete Selvik
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A History of the American Musical Theatre : No Business Like It
Nathan Hurwitz
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Sounding Out: Pauline Oliveros and Lesbian Musicality
Martha Mockus
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Folk Voiceworks : 30 Traditional Songs
Peter Hunt
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From Music to Sound : The Emergence of Sound in 20th- and 21st-Century Music
Makis (University of Paris, France) Solomos
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Beethoven’s Dedications : Stories Behind the Tributes
Artur Pereira
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Opera, Emotion, and the Antipodes Volume I : Historical Perspectives: Creating the Metropolis; Delineating the Other
Jane Davidson
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