Re-Making Sound : An Experiential Approach to Sound Studies
Professor Justin Patch
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Artificial Intelligence and Music Ecosystem
Martin Clancy
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The Creative Electronic Music Producer
Thomas Brett
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Inside Computer Music
Michael (Professor of Music, Professor of Music, University of Clarke
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Aural Diversity
John L. Drever
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Music Production Methods : A Concise Guide for Understanding Your Role, Process, and Order
Josh Bess
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How to Record and Mix Great Vocals
Craig Anderton
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Cybermedia : Explorations in Science, Sound, and Vision
Professor Carol (Stanford University, USA) Vernallis
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Soundwalking : Through Time, Space, and Technologies
Jacek Smolicki
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Pop Music Production : Manufactured Pop and BoyBands of the 1990s
Phil Harding
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Music Technology 101 : The Basics of Music Production in the Technology Lab or Home Studio
Heath Jones
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The Auditory Setting : Environmental Sounds in Film and Media Arts
Budhaditya Chattopadhyay
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Music and Mystique in Muscle Shoals
Christopher M. Reali
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Audio Mastering : Separating the Science from Fiction
JP Braddock
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Music Technology in Live Performance : Tools, Techniques, and Interaction
Tim Canfer
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Recording Orchestra and Other Classical Music Ensembles
Richard (Vanderbilt University, USA) King
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Streaming Music, Streaming Capital
Eric Drott
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Fifty Years of the Concept Album in Popular Music : From The Beatles to Beyonce
Eric (Writer, USA) Wolfson
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The Sound of Tartini : Instruments and Performing Practices in His Time
Margherita Canale Degrassi
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Working Together for Change – Collaborative Change Researchers, Evaluators, and Designers, Volume 5
Lisa M. Vaughn
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The Art of Vinyl Covers 2024
Bernd Jonkmanns
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Reimagining Sample-based Hip Hop : Making Records within Records
Michail Exarchos
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Leadership in Music Technology Education : Philosophy, Praxis, and Pedagogy
Daniel Walzer
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Live Looping in Musical Performance : Lusophone Experiences in Dialogue
Alexsander Duarte
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