Refocus: the Films of Steve Mcqueen
Thomas Austin
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Refocus: the Films of Claire Denis
Peter Sloane
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Filming Death : End-Of-Life Documentary Cinema
Outi Hakola
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Reimagining Israel and Palestine in Contemporary British and German Culture
Isabelle Hesse
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AI in the Movies
Paula Murphy
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Transgressive Art Films : Extremity, Ethics, and Controversial Images of Sex and Violence
Oliver Kenny
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Anime : A History
Jonathan (Author/Scriptwriter, UK) Clements
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TV-Philosophy : How TV Series Change Our Thinking
Sandra Laugier
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Protestants on Screen : Religion, Politics and Aesthetics in European and American Movies
Gaston (Department Chair and Arthur V. Stoughton Professor o Espinosa
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Extending Play : The Feminization of Collaborative Music Merchandise in the Early Twenty-First Century
Alyxandra (Assistant Professor in Journalism and Creative Media Vesey
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The Oxford Handbook of Silent Cinema
Charlie (Professor, Professor, University of Toronto) Keil
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The Oxford History of the Novel in English : Volume 8: American Fiction since 1940
Cyrus R. K. (Professor of English, New York University) Patell
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Resistant Reproductions : Pregnancy and Abortion in British Literature and Film
Fran Bigman
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Film Psychoanalysis : Relational Approaches to Film Interpretation
Andreas Hamburger
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Screened Stages : On Theatre in Film
Rachel Joseph
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The Routledge Companion to Copyright and Creativity in the 21st Century
Michelle Bogre
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Contemporary Lusophone African Film : Transnational Communities and Alternative Modernities
Paulo de Medeiros
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Border Crossings and Mobilities on Screen
Ruxandra (Edge Hill University, United Kingdom) Trandafoiu
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Shooting the Scene : The Art and Craft of Coverage for Directors and Filmmakers
Mark Rosman
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Spider-Man: Into the Spider-Verse : Youth, Race, and the Hypertext
Charlie Michael
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Artificial Women : Sex Dolls, Robot Caregivers, and More Facsimile Females
Julie (SUNY Maritime College) Wosk
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Traveling Auteurs : The Geopolitics of Postwar Italian Cinema
Luca (Concordia University) Caminati
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The Ethnographic Optic : Jean Rouch, Chris Marker, Alain Resnais, and the Turn Inward in 1960s French Cinema
Laure (Bentley University) Astourian
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Visions and Victims : Art Melodrama in the Films of Carl Th. Dreyer
Amanda Doxtater
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