Digital Compositing for Film and Video : Production Workflows and Techniques
Steve Wright
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Kafkaesque Cinema
Angelos Koutsourakis
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French Westerns : On the Frontier of Film Genre and French Cinema
Timothy Scheie
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Reimagining Israel and Palestine in Contemporary British and German Culture
Isabelle Hesse
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The Neoliberal Self in Bollywood : Cinema, Popular Culture, and Identity
Namrata Rele (Southern Illinois University, Carbondale) Sathe
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Special Makeup Effects for Stage and Screen : Making and Applying Prosthetics
Todd Debreceni
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Filming Death : End-Of-Life Documentary Cinema
Outi Hakola
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AI in the Movies
Paula Murphy
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Charles Villiers Stanford: Man and Musician : Revised and Expanded Edition
Jeremy Dibble
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The Oxford Handbook of Asian Philosophies in Music Education
C. Victor (Professor of Music Education, Professor of Music Educ Fung
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The Mariachi Voice
Juanita (Operachi Singer, Professor of Voice, Operachi Singer, Ulloa
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The Oxford History of the Novel in English : Volume 8: American Fiction since 1940
Cyrus R. K. (Professor of English, New York University) Patell
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Arts in Healthy Aging : Exploring Research, Policy, and Professional Practice
Patricia (Professor, School of Planning, Public Policy Dewey Lambert
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Music, the Market, and the Marvellous : Parisian Feerie, 1864-1900
Tommaso (Marie Sklodowska-Curie Global Postdoctoral Fellow, Sabbatini
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Defining Cinema : Rouben Mamoulian and Hollywood Film Style, 1929-1957
Michael (Associate Professor, Associate Professor, Wesleyan Un Slowik
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Before We Teach Music : The Resonant Legacies of Childhoods and Children
Lori A. (Professor of Music and Music Education, Professor Custodero
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The Oxford Handbook of Music Composition Pedagogy
Michele (Professor of Music and Director of Music Teacher Edu Kaschub
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Classical and Romantic Performing Practice
Clive (Emeritus Professor of Applied Musicology, Emeritus Profe Brown
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Storytelling in Motion : Cinematic Choreography and the Film Musical
Jenny (Assistant Professor, Assistant Professor, Univ Oyallon-Koloski
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The Oxford Handbook of Community Singing
Esther M. (Associate Professor of Music History, Associa Morgan-Ellis
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The Classroom Guide to Jazz Improvisation
John (Professor Emeritus, New England Conservatory of Music, P McNeil
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Postgraduate Research in Music : A Step-by-Step Guide to Writing a Thesis
Victoria (Adjunct Associate Professor, Adjunct Associate Profe Rogers
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Spectacular Listening : Music and Disability in the Digital Age
Byrd (Assistant Director of Student Development, Assistant D McDaniel
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Voice, Slavery, and Race in Seventeenth-Century Florence
Emily (Associate Professor of Musicology, Associate Profess Wilbourne
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