Understanding Theatre
Marco de Marinis
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Edward Ravenscroft's «Mamamouchi, or The Citizen Turned Gentleman» (1672) : A Critical Edition
Manuel J. Gomez-Lara
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Performing Grief in Pandemic Theatres
Fintan (Birkbeck, University of London) Walsh
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A Performance History of The Fair Penitent
Elaine (University of Bristol) McGirr
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The Poetics of Performance Diagrams
Andrej (Universitat der Kunste Berlin) Mircev
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Peggy Webling and the Story behind Frankenstein : The Making of a Hollywood Monster
Peggy Webling
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Shakespeare's Strangers and English Law
Paul (University of Warwick, UK) Raffield
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Romeo raua ko Hurieta
William Shakespeare
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English Renaissance Drama : A Norton Anthology
David (University of Chicago) Bevington
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The Norton Shakespeare
Stephen (Harvard University) Greenblatt
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Lovers' Debates for the Stage - A Bilingual Edition
Isabella Andreini
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The Bard in the Borderlands - An Anthology of Shakespeare Appropriations en La Frontera, Volume 1
Katherine Gillen
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Suffocating Mothers : Fantasies of Maternal Origin in Shakespeare's Plays, Hamlet to the Tempest
Janet Adelman
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Re-Place : Irish Theatre Environments
Lisa Fitzgerald
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Under the Greenwood Tree : A Celebration of Kentucky Shakespeare
Tracy E. K'Meyer
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Die Frau Ohne Schatten: Hugo Von Hofmannsthals Und Richard Strauss' Schmerzenskind
Jurgen Maehder
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In Time : Map-Making Strategies and Musical Journeys
Barbara Barry
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Benjamin von Stuckrad-Barres Panikherz : Text - Poetik - Inszenierung
Kai Bremer
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Las Artes Escénicas Como Patrimonio del Ámbito Hispánico. Siglo XXI
Ulrich Winter
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Paratext Printed with New English Plays, 1660–1700
Robert D. (Pennsylvania State University) Hume
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Playwriting, Dramaturgy and Space
Sara (University of Puget Sound, Washington) Freeman
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La 'gnome' en Eur?pides : Estudio formal
Alba Bosc? Cuquerella
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Andres de Claramonte Tan Largo Me Lo Fiais (El Burlador de Sevilla) El Infanzon de Illescas
Alfredo Rodriguez Lopez-Vazquez
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Das Dokumentarische Und Das Fiktionale Im Deutschsprachigen Drama Nach 1945 : Weiss - Kipphardt - Hochhuth
Michal Jakubski
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