The Myth and Identity of the Romantic Artist in European Literature : A Self-Constructed Fantasy
Elena Anastasaki
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Writing the Poetry of Place in Britain, 1700–1807 : Self in Landscape
Elizabeth R. Napier
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Dante Alive : Essays on a Cultural Icon
Francesco Ciabattoni
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Jane Austen and the Ethics of Description
Brett Bourbon
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Early Modern Genres of History
Emil Nicklas Johnsen
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Early Modern Genres of History
Emil Nicklas Johnsen
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Private Honour and Noble Masculine Image in Early Modern England : Sir Robert Sidney and His Contemporaries
Erika D'Souza
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Artists and Their Autobiographies from Today to the Renaissance and Back : Symptoms of Sincerity
Charles Reeve
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Speech Acts in Blake’s Milton
Brian Russell Graham
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Islam as Imagined in Eighteenth and Nineteenth Century English Literature
Clinton Bennett
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The Order of Destruction : Monoculture in Colonial Caribbean Literature, c. 1640-1800
Heinrich Wilke
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The Theatrical Legacy of Thomas Middleton, 1624–2024
William David Green
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Reading Keats’s Poetry : Alternative Subject Positions and Subject-Object Relations
Merve Gunday
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Xueqin and Xakespeare : Reading The Story of the Stone through Hamlet
Judith Forsyth
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The Shakespearean International Yearbook : Disability Performance and Global Shakespeare
Alexa Alice (George Washington University) Joubin
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Early Modern Improvisations : Essays on History and Literature in Honor of John Watkins
Katherine Scheil
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Early Modern Improvisations : Essays on History and Literature in Honor of John Watkins
Katherine Scheil
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Time and Causality in Early Modern Drama : Plotting Revenge
Linc Kesler
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Tragedy and the Paradox of the Fortunate Fall
Herbert Weisinger
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Sensibility : An Introduction
Janet Todd
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Timothie Bright and the Origins of Early Modern Shorthand : Melancholy, Medicines, and the Information of the Soul
James Dougal Fleming
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The Order of Destruction : Monoculture in Colonial Caribbean Literature, c. 1640-1800
Heinrich Wilke
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Approaching the Interval in the Early Modern Theatre : The Significance of the 'Act-Time'
Mark (Universidad de Salamanca, Spain) Hutchings
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Criticism, Performance, and the Passions in the Eighteenth Century : The Art of Transition
James (University of Newcastle upon Tyne) Harriman-Smith
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