Memory and Affect in Shakespeare's England
Jonathan (University of Rochester, New York) Baldo
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Allegorising Thought on the Shakespearean Stage : The Discovery of the Mind
Claire Gu ron
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Derek Walcott's Painters : A Life with Pictures
Maria Cristina Fumagalli
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Arden of Faversham: A Critical Reader
Dr Peter Kirwan
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Sound Effects : Hearing the Early Modern Stage
Laura Jayne Wright
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Poison on the Early Modern English Stage : Plants, Paints and Potions
Lisa Hopkins
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The Aesthetic Exception : Essays on Art, Theatre, and Politics
Tony Fisher
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Generic Innovation in Shakespeare and His Contemporaries
Edward Gieskes
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The Alchemist
Tanya (Brooklyn College, The City University of New York, USA Pollard
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Shakespeare and Stratford
Katherine Scheil
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Shakespeare and the Ethics of War
Patrick Gray
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The Mountain Girl from La Vera : by Luis Velez de Guevara
Harley Erdman
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Critical Insights: Julius Caesar
Salem Press
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All's Well That Ends Well
William Shakespeare
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Staging, Playing, Pyrotechnics and Magic: Conventions of Performance in Early English Theatre : Shifting Paradigms in Early English Drama Studies
Philip Butterworth
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Shakespeare and Emotional Expression : Finding Feeling through Colour
Brid Phillips
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Euripides: Iphigenia in Tauris
Emily (University of Oxford) Kearns
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Shakespeare, Spectatorship and the Technologies of Performance
Pascale (University of Exeter) Aebischer
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Shakespearean Arrivals : The Birth of Character
Nicholas (University of Queensland) Luke
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Theatres of Feeling : Affect, Performance, and the Eighteenth-Century Stage
Jean I. (University of Connecticut) Marsden
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Moliere in Context
Jan (University of Durham) Clarke
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Early Shakespeare, 1588-1594
Rory (University of Kent, Canterbury) Loughnane
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Ireland, Enlightenment and the English Stage, 1740-1820
David (Trinity College Dublin) O'Shaughnessy
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The Players' Advice to Hamlet : The Rhetorical Acting Method from the Renaissance to the Enlightenment
David (University of Exeter) Wiles
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