The Arden Research Handbook of Contemporary Shakespeare Criticism
Dr Evelyn (University of Nevada, Las Vegas, USA) Gajowski
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The Play's the Thing : Exploring Text in Drama and Therapy
Marina Jenkyns
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The Screenplay : Authorship, Theory and Criticism
Steven Price
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Business Economics
Rob Dransfield
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Shakespeare / Sex : Contemporary Readings in Gender and Sexuality
Jennifer (McGill University, Canada) Drouin
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(Syn)aesthetics : Redefining Visceral Performance
J. Machon
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The Arden Research Handbook of Shakespeare and Contemporary Performance
Dr Peter (Mary Baldwin University, USA) Kirwan
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Shakespeare / Sense : Contemporary Readings in Sensory Culture
Dr Simon (University of Birmingham, UK) Smith
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Colorblind Shakespeare : New Perspectives on Race and Performance
Ayanna Thompson
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Anti-Black Racism in Early Modern English Drama : The Other “Other”
Matthieu Chapman
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Shakespeare's Feminine Endings : Disfiguring Death in the Tragedies
Philippa Berry
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From Performance to Print in Shakespeare's England
P. Holland
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Ghosts, Holes, Rips and Scrapes : Shakespeare in 1619, Bibliography in the Longue Duree
Zachary Lesser
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Old Fortunatus : By Thomas Dekker
David McInnis
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Cultural value in twenty-first-century England : The case of Shakespeare
Kate McLuskie
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Playing the King: Lope de Vega and the Limits of Conformity
Melveena McKendrick
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Shakespeare, Hogarth and Garrick : Plays, Painting and Performance
Robin Simon
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Performing Women : Gender, Self, and Representation in Late Medieval Metz
Susannah Crowder
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Dr Faustus 1616
Chiaki Hanabusa
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Antony and Cleopatra
Carol Chillington Rutter
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Communal Justice in Shakespeare's England : Drama, Law, and Emotion
Penelope Geng
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Cavendish and Shakespeare, Interconnections
Katherine Romack
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Aristophanes: Cavalry
Professor Robert (Associate Professor, York University, Canad Tordoff
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Teaching and Learning Shakespeare through Theatre-based Practice
Tracy (Shakespeare Institute, University of Birmingham, UK) Irish
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£65.00
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