The Massacre at Paris : By Christopher Marlowe
Mathew R. Martin
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Serial Shakespeare : An Infinite Variety of Appropriations in American Tv Drama
Elisabeth Bronfen
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Shakespeare's Resources
John Drakakis
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Modernist Disguise : Masquerade in Modern Performance and Visual Culture
Ron J. Popenhagen
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A Midsummer Night’s Dream: Language and Writing
R.S. White
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A Taste for the Negative : Beckett and Nihilism
Shane Weller
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The Rhesus Attributed to Euripides
Marco (Roehampton University, London) Fantuzzi
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Uncanny Fidelity : Recognizing Shakespeare in Twenty-First-Century Film and Television
James Newlin
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Inkface : Othello and White Authority in the Era of Atlantic Slavery
Miles P. Grier
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Restoration Drama and the Idea of Literature
Katherine Mannheimer
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Staging Existence : Chekhov's Tetralogy
Svetlana Evdokimova
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Reading Paul Howard : The Art of Ross O'Carroll-Kelly
Eugene O'Brien
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Off-Stage Groups in Athenian Drama
Alexandra (Corpus Christi College and Balliol College, Oxfor Hardwick
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Shakespeare and the Royal Actor : Performing Monarchy, 1760-1952
Sally (King's College London) Barnden
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Reading Drama in Eighteenth-Century France
Thomas (Professor of French, Professor of French, Durham Univers Wynn
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The Oxford Handbook of Shakespeare and Race
Patricia (Director, Folger Institute, Folger Shakespeare Libr Akhimie
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Modern Character : 1888-1905
Julian (Jury Chair of English Language and Literature, Jury C Murphet
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Theatre Censorship in Contemporary Europe : Silence and Protest
Anne Etienne
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Medieval and Renaissance Drama in England
S. P. Cerasano
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Much Ado about Nothing and the New Awareness
W. Reginald Rampone
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The Merchant of Venice
Boika Sokolova
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Shakespeare's Tercentenary : Staging Nations and Performing Identities in 1916
Monika (Northumbria University, Newcastle) Smialkowska
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Blindness and Spectatorship in Ancient and Modern Theatres : Towards New Ways of Looking and Looking Back
Marchella (The Open University, Milton Keynes) Ward
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Decentered Playwriting : Alternative Techniques for the Stage
Carolyn M. Dunn
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