Transfiguring Tragedy : Schopenhauer, Stirner, and Nietzsche in Eugene O’Neill’s Early Plays
Ryder Thornton
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Theatre and Human Rights : The Politics of Dramatic Form
Gary M. English
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Performing the Transition to Democracy : Theater and Performance in 1970s Spain
David Rodriguez-Solas
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1964, A Year in African American Performance History
David Krasner
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Performing Post-Tariqa Sufism : Making Sacred Space with Mevlevi and Rifai Zikir in Turkey
Esra Cizmeci
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Puppet and Spirit: Ritual, Religion, and Performing Objects : Volume I Sacred Roots: Material Entities, Consecrating Acts, Priestly Puppeteers
Claudia Orenstein
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Genre Transgressions : Dialogues on Tragedy and Comedy
Ramona Mosse
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Techniques of Illusion : A Cultural and Media History of Stage Magic in the Late Nineteenth Century
Katharina (University of Potsdam, Germany) Rein
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Performing for the Don : Theaters of Faith in the Trump Era
Hank Willenbrink
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Performance and the Politics of Space : Theatre and Topology
Erika Fischer-Lichte
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The Bible and Modern British Drama : From 1930 to the Present Day
Mary F. Brewer
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Hauntological Dramaturgy : Affects, Archives, Ethics
Glenn D’Cruz
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Practices of Relations in Task-Dance and the Event-Score : A Critique of Performance
Josefine Wikstrom
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Performance of Absence in Theatre, Performance and Visual Art
Sylwia Dobkowska
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Performing Religion on the Secular Stage
Sharon Aronson-Lehavi
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Performances that Change the Americas
Stuart Alexander Day
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American Cultures as Transnational Performance : Commons, Skills, Traces
Katrin Horn
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Eugene O'Neill's Philosophy of Difficult Theatre : Pity, Fear, and Forgiveness
Jeremy Killian
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Hellenic Common : Greek Drama and Cultural Cosmopolitanism in the Neoliberal Era
Philip Zapkin
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Reading Religion and Spirituality in Jamaican Reggae Dancehall Dance : Spirit Bodies Moving
'H' Patten
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The Teaching of Kathakali in Australia : Mirroring the Master
Arjun Raina
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Politics of the Oberammergau Passion Play : Tradition as Trademark
Jan Mohr
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Instruments of Embodiment : Costuming in Contemporary Dance
Eric Mullis
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Forms of Emotion : Human to Nonhuman in Drama, Theatre and Contemporary Performance
Peta Tait
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